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The Balvenie: Single Barrel 12 year old

April 27, 2013 in Reviews

Balvenie Single Barrel 12I’ve been a big fan of The Balvenie since early on in my whisky tasting journey. It started, as I’ve now learned it does for many people, with the DoubleWood 12 and one of my favourite whiskies of 2012 was the Golden Cask Rum Finish 14 year old. I’m a sucker for whiskies that have a tropical fruit, honey and spice backbone and this company seems to almost always tick the boxes (at least on its more bourbon-influenced releases).

But I have decided that the latest release has now plumped for top position in my book.

The Single Barrel first fill 12 year old is the new kid on the block for The Balvenie. Last year, the company introduced the Caribbean Cask 14 year old and the DoubleWood 17 into its standard line-up.

The company already has a single cask bottling in the form of the Single Barrel 15 year old but that isn’t restricted in terms of the type of cask used. It is also being slowly phased out, so this 12-year old will likely be the star of the single barrel show in the near future.

The new 12 year old bottlings will come from first fill American oak ex-bourbon barrels, meaning each release should take on the heavier vanilla and sweeter notes one tends to get from a first fill cask (ie: casks filled with Scotch for the first time after holding a bourbon or sherry). It’s being bottled at a relatively high strength for The Balvenie – 47.8% – and is non chill filtered. No more than 300 bottles of each release will hit shelves so at a cost of around £43-£45 it’s quite a steal.

Because it is a single cask, the release I am reviewing will of course be unique, though I’m sure the malt master extraordinaire that is David Stewart – who’s been with the company for more than 50 years now – will be choosing ones of a similarly pleasing nature.

And so, to the review. Here’s what I thought:

(C): Runny golden honey

(N): Very floral with notes of honey and marzipan, and a touch of lemony eucalyptus, which surprised. As it airs, malty notes and freshly sawed pine wood come into play too. With water, those wonderful sappy pine forest notes come out more for me along with Christmas marzipan or sticky stollen.

(P): On the palate, this has a delightfully oily mouthfeel, due to that non-chill filtering aspect. It’s rich and sticky, and slightly sharp without water because of the high ABV. There are lemony notes, the taste of envelope glue, gummy honey and honeysuckle. With water, this hold up very well – a teeny hint of something almost smoke like emerges before a burst of strawberry foams dipped in honey.

(F): Without water, it’s subtle with fresher honeyed pine notes. With water, for some reason I kept thinking of watermelon bubblegum.

In conclusion, this new release shows it has gusto with its big powerful flavour and the richness that comes from both a high ABV and the non-chill filtering. It makes me want to try every Balvenie in this form to see how the other releases would be if given the same treatment. One to drink in a summer garden.

Michelle Myron speaks to Miss Whisky

April 15, 2013 in Whisky Women

 ”Whisky, especially in the UK, has an image of old men – it’s sad but true. A more even gender balance would benefit the industry as a whole.” – Michelle Myron

 

 

Michelle Myron is a German speaking tour guide at the Glenfiddich distillery in Dufftown. She also runs her own business – Speyside Tours – a part of which takes visitors to the region on walks to see the distillery sites past and present, and teach them about whisky history.

In this Whisky Women interview, Michelle speaks about her earliest memories of whisky, the eeriness of visiting closed distillery sites and why the spirit inspires her.

 

What are your earliest memories of whisky?

My first involvement in the world of whisky was as a child, when I used to go to my uncle’s work. He was a warehouse man at a Dufftown distillery. We would go to his work at the weekend and even then I loved the smell that hits you when you open the warehouse door. The warehouses were a great to play hide & seek in; obviously in those days health & safety wasn’t such an issue!

What inspires you about this spirit?

The history of whisky, how it has evolved, the regional variations, the provenance and the integrity of the product: these are all factors which inspire me and maintain my obsession with whisky!

I also really enjoy it – it is a great pleasure for me to nose and taste whisky and the fact there are so many means that I am always finding new favourites, which change depending on the time of day or occasion.

What was one of the first whiskies you tried and loved?

I was influenced greatly by my dad’s tastes.  Speyside malts were predominant in the house so I believe Macallan was my first dram. Because of the extensive use of sherry casks it was quite sweet and a good one to start with. I still drink Macallan today and feel that it is a good example of an elegant Speyside whisky.

What is your favourite aspect of what you do at the distillery?

Converting the non-whisky drinkers! And introducing visitors to expressions other than the 12-year old is interesting too – it shows the difference time makes but also lets them experience the 15-year old which is the Solera expression.

In the in-depth specialised tours visitors get to see the famous Warehouse 8 and the home of the Glenfiddich Solera Vat – this is a special place for me and feels very magical since Glenfiddich was the first to pioneer the Solera system in whisky production.

Glenfiddich

You also run whisky tours in Speyside. What made you want to do this?

I started Speyside Tours because of an obvious demand. When speaking to visitors at Glenfiddich I realised they would fly into Edinburgh, drive up to Speyside, do Glenfiddich, Loch Ness, Skye and then go back to Edinburgh.  I would say nearly 70% of tourists follow this route, but there is much more to see and do, many attractions off the tourist trail.

Due to my love of whisky I started to offer the Dufftown Distillery walk, which takes you on a “Dramble” around the nine distillery sites of Dufftown, past and present.  We conduct nosing and tastings but also give insights into the history of whisky in Dufftown.  People learn about what life was like for the distillery workers, from the 40s through to the present day and the stories of how workers would get one up on the management, which people love to hear.

What do you enjoy most about doing the whisky walks?

I love meeting people from around the world who have an interest in whisky; I never fail to be impressed by the international interest in our whisky. Personally, I also like when we visit the mothballed Parkmore distillery – it is still so intact and has an eeriness to it, you half expect it to start up production or a warehouse man to come out and tell us to get out of the way. I like also the visit to The Balvenie, to see the maltings there and the smell of peat on a Scottish summer evening, to know this has been done like this for the last 120 years.

Do you think more women should or could work in the whisky industry?

I definitely think more women should enter the whisky industry and at all levels. Whisky, especially in the UK, has an image of old men – it’s sad but true. A more even gender balance would benefit the industry as a whole.

What is your favourite memory involving whisky drinking?

My most cherished memory of drinking whisky is the times doing so at home with family and friends at Hogmany. There are always lots of people in a confined space and a neighbour will come in with bagpipes – very stereotypically Scottish but true.  The noise is deafening in a confined space – more whisky is then required.  There’s lots of arguing over the best whisky but at the same time, we’re all there, enjoying our national drink!

Burns Night: Where to celebrate

January 14, 2013 in Events

In less than two weeks, glasses will be raised, toasts made, Haggis eaten and ceilidh dances danced, all in honour of the birthday of poet Robert Burns.

Although he died nearly 217 years ago, the famous Scottish poet lives large in many people’s hearts and minds, and the annual celebration seems to grow every year, especially amongst the whisky community which will – no doubt – be celebrating with just as much gusto this year.

But, if you’ve not yet got plans yet, where should you look to go?

If you’re still at a loose end, here are a few options I’ve come across where you can recite the Scottish Bard’s poetry as loudly as you wish with few puzzled stares and drink delicious drams to warm you up this chilly January…

London:

Boisdale Canary Wharf

Boisdale: The three Boisdale restaurants in the chain (Canary Wharf, Belgravia and Bishopsgate) will each host evenings to honour Burns. Starting on the 21st January at the Belgravia branch (and continuing through the week there) along with events on the 24/25th January at the Canary Wharf and Bishopsgate locations, guests will be treated to pipers, Macsween’s haggis and Aberdeenshire Steaks and plenty of drams. For more information and to book, call the following: Boisdale of Canary Wharf, 020 7715 5818; Boisdale of Belgravia, 020 7730 6922; or Boisdale of Bishopsgate, 020 7283 1763.

The Lady Ottoline: In collaboration with Dramatic Whisky, the Lady Ottoline pub near Holborn will host a Burns Night dinner and tasting on the 24 January for £50 a head. The menu includes in-house smoked Loch Duart salmon, partridge and haggis, all paired with drams and given the Dramatic treatment. For more information and to book, email  info@theladyottoline.com, call them on 020 7831 0008 or visit, www.theladyottoline.com

The Athenaeum Hotel: The Piccadilly hotel whisky bar’s latest Whisky Social will be held in partnership with The Balvenie‘s Dr Andrew Forrester. The evening will include a Monkey Shoulder whisky cocktail on arrival, along with a four-course set menu paired with drams like The Balvenie Portwood and Caribbean Cask at a cost of £49. For more info and to book, call them on 0207 6403311 or email whisky@athenaeumhotel.com.

The Capital: If you fancy splurging on Burns Night, head over to The Capital Hotel, where Michelin-starred chef Nathan Outlaw has created an £89 four-course tasting menu paired with whiskies chosen by the youngest ever Keeper of the Quaich and the hotel’s bar manager, Cesar da Silva. The tasting menu can also be ordered without the whiskies for £60 (but where would be the fun in that?). Further details can be found at www.capitalhotel.co.uk/restaurantbar.html

Deeny’s: Regular London market stall hosts Deeny’s will serve up their own take on haggis (the haggis toastie) and other goodies at two more informal events in London. The first on the 25th takes place at The Grafton pub in Kentish Town and the second happens at St Mark’s Church Hall near Dalston Kingsland, in collaboration with the Nest Collective. For more details on the events, check out Deeny’s blog here: http://deeneys.com/blog/?p=44

Scotch Malt Whisky Society: Over in Farringdon, the SMWS will host a Burns Night tasting with ambassador John McCheyne for members and non-members. The ticket price (£47 members/£52 non) includes five drams and a traditional Scottish supper. For more info, head to: http://www.smws.co.uk/whisky-tastings

Outside of London:

Chewton Glen, Country House Hotel

Chewton Glen

Chewton Glen: If you fancy making a country break of the event, head to the stunning Chewton Glen hotel in Hampshire on the 25th, which will be hosting a tasting, dinner and ceilidh in partnership with Glenfiddich. The hotel is offering packages, including the evening’s dinner, along with hotel stay, morning breakfast and access to spa facilities for £235 per person. For further details, head to: http://www.chewtonglen.com/whats-on/burns-night-celebration.aspx

Whiski Bar: At the Whiski Bar in Edinburgh, guests can take in a traditional Scottish dinner and a Talisker dram for £30 a head on the 25th. Fiddle band Muckle Flugga will entertain and – with the bar’s huge selection of whiskies – you’ll be sure to have a jolly old time. For more information, visit: http://www.whiskibar.co.uk/Burns_Night_2013.html

Edinburgh University’s Water of Life Society: Edinburgh University’s Water of Life Society will host a tasting for under £10 (a steal if you ask me!) on Sunday, 20 January. The price will include three drams, entry and entertainment by the Cosmic Ceilidh Band. More information can be found at: https://www.facebook.com/events/393946917364924/

St Columba’s Hospice: For a night that will make a difference to your life and others, head to Edinburgh’s Corn Exchange on the 25th where a Scottish band and traditional dinner will cost you £45 and help raise funds for the St Columba’s Hospice. For full details, head here: http://tinyurl.com/aho2fhu

NSPCC: For those of you in Birmingham who want to attend a charity evening, the NSPCC will be raising funds for ChildLine at its Robert Burns celebration on the 25th. Taking place at the Holte Suite at Aston Villa, the black-tie event costs £79 a head and includes a drinks reception and dinner. For more details on the charity, the event and how to book, head to: http://tinyurl.com/b633don

The Birmingham Whisky Club: The team at the Birmingham Whisky Club will host two events for Burns on the 24th and 25th at The Old Crown pub. For more information on each and to book, head to the team’s events page here: http://tinyurl.com/a6y97yh

 

 

The Queen of Victoria’s festivals

January 7, 2013 in Uncategorized

For Iain Hooey – one of the founders of the Victoria Whisky Festival – the business of putting on a big whisky show could not have gone better over the past seven years.

The festival held at the Hotel Grand Pacific in British Columbia, Canada is about to celebrate its eighth anniversary but it began as a bit of a pipe dream.

According to Iain, he and fellow founder Lawrence Graham – who runs the Whisky Intelligence site and is a Malt Maniac - decided to head to next-door province, Alberta, for a whisky tasting at the Willow Park liquor store in Calgary.

“After a plethora of drams Lawrence asked, ‘Can we put one of these on in Victoria?’” explained Iain, a retired police officer, in a recent phone interview. “So, in that haze, we said that we could put one on but would do it differently.”

After 14 months of planning and with all their ducks coming comfortably together in a row, Iain and Lawrence were able to proceed with the festival, selling 475 tickets that first year – a huge increase on the anticipated 75 tickets they had a goal of shifting.

So what has made the festival stand out since 2006?

Jim Murray at the 2012 festival.

According to Iain, it comes down to four key things they decided to put in place from the start.

The first is that, with Canada’s very strict laws on alcohol consumption, the team chose to offer every guest a ride home after the festival. They managed to pull this off by getting a car hire firm and volunteer drivers on board to ensure the safety of attendees – even those living 30 or 40km away from the venue.

The second decision that helped them stand out was when they decided they would make no profit on the event at all, instead, giving all proceeds to charity. When they were first planning the festival, Iain said they realised they could end up paying for much of the festival out of their own pockets. As it turned out, they still made enough for a charity donation. Last year, $27,000 (or, approximately £17,000) went to two nominated charities. To help run the festival, the charities provide volunteers to take tickets and ensure the smooth running of the show.

The third choice was to not charge drinks companies for tables, a decision which meant many major whisky brands – from BenRiach to Talisker and the Scotch Malt Whisky Society – decided to get involved from year one. Iain said he only asked them for four things: to show up, to have enough stock to cover the festival, to do an engaging masterclass and to stay at the hotel.

And the final option? They were going to stay involved through every process, including selling tickets by hand rather than through an online ticket distributor like Ticketmaster, with some being allocated to local whisky tasting groups.

“We knew whisky clubs would be supportive of the event and that following it, they would buy whisky. We also knew that their buzz would create more buzz and we could move forward with them working with us,” he added.

Sam Simmons, The Balvenie's Global Brand Ambassador.

What happened from there was a continual rise in interest from the local community, visitors from the US and overseas, media attention and support from global whisky brands.

It couldn’t have hurt that Jim Murray – who was a speaker from the first year onwards – also called it “the best organised whisky show in the world.”

“That was an accolade we weren’t looking for and weren’t expecting so we had smiles on for quite a while. We’re proud to say: ‘Look we’re not really big but we’re going to put on a good show,’” Iain added.

This year, there will be the third annual Canadian Whisky Awards – hosted by Davin de Kergommeaux – along with an evening dinner hosted by Cutty Sark and The Glenrothes, along with tastings from Glenmorangie, Springbank, Laphroaig, among many others. The consumer tasting – on Saturday, 19 January – runs in the evening.

The secret to the success, he said, has been bound up in the fact there is little desire to increase the number of attendees and make it an impersonal event. For the 2013 show – which runs from the 17-21 January – around 1,400 tickets have been sold for the consumer tasting on the Saturday night and all 34 masterclasses. This number of tickets is just right, he said, adding it is doable now because of the extensive help from others on the committee – such as Dr Jonathan Adams, who pulls off all the masterclasses in an orderly fashion within a six hour time window.

Canadian whisky on show at the 2012 festival.

But it also means that getting hands on tickets can be tricky – when they go on sale in November, people start lining up at the ticket sales point (local specialty drinks shop, The Strath) at 4am and all tickets are sold within two and a half hours of the shop opening. A growing number of those people buying tickets – or receiving them – are women, added Iain, who said there were only around 6-10 female attendees in the first year, with that number growing to around 20% today.

For Iain, the festival has gone from strength to strength and is something he likely couldn’t have imagined getting involved in  twenty years ago. Back then, he was only keen to collect rather than drink it because he had a feeling it would rise in value one day. This has meant his collection now includes rare gems from a 1962 Macallan to a 1964 Tomatin and a 1963 Longmorn. It took him ten years to really get a taste for whisky.

But after the fateful road trip with Lawrence, there is no looking back. The Victoria Whisky Festival is most certainly a proud bastion for whisky in Canada and I wish all of those going the best of enjoyment!

Photography courtesy of Jen Steele Photography. For more information on the Victoria Whisky Festival, visit: www.victoriawhiskyfestival.com

Drams of 2012: Part 1

December 27, 2012 in Uncategorized

 

It frightens me to write this post. It really does. How – I wonder – is 2012 almost nearing its end?

The year has gone so quickly and the drams have kept on coming. As such, I thought I’d look back at this year of whisky greatness to choose my favourite drams of the past 12 months.

While most lists put together the top 5 or top 10, I’m going somewhere in between and choosing my top 7 drams.

But the question is, do you agree?

I want to know if you’ve tried these drams (or if you’re keen to) and – if the former – what you thought of them. Did you taste others that beat these ones? Get in touch on Twitter (@themisswhisky), in the Comment section below or on email at info@misswhisky.com – and let me know what drams really rocked your 2012.

Without further adieu, here are my first four favourite drams (in order of when this year I sampled them):

Dram #1. – Midleton Barry Crockett Legacy: 46%:

I managed the chance to try this whiskey twice this year – once at an Irish tasting with The Whisky Exchange back in March, and the second time at a dinner (again with The Whisky Exchange) in September. It really stands out in my mind as a perfect all-rounder and a showcase as to why whisky (or, in this case, whiskey) doesn’t only have to come from Scotland to be dram good.

The first time I sampled it, I said the following:

This was an exceptionally interesting dram to me, especially because it was near the end of the tasting when I find my nose and tastebuds numbing slightly. Notes of citrus fruit, black pepper, lime, crunchy Granny Smith apples, melon and vanilla all managed to communicate themselves from my scent to my brain. The palate was slightly astringent, with notes of pear, apple and pineapple. There was a giant bite at the front of my palate, followed by a long lasting finish with lingering notes of mandarin oranges and brandy at the back of my tongue.”

And the second time I got: “Lemon cookies, almonds, Christmas trees and panettone on the nose and the mouth was all “mango, mango, mango”.

Neither review was exactly the same but, as always with drams, it depends what you’ve eaten and drunk before – all of which will have an effect. The point though? This is a fantastic whiskey and well worth venturing outside the Scottish borders to try.

Dram #2 – The Balvenie, Golden Cask Rum Finish, 14yo: 47.5%:

Continuing the theme of more tropical fruit influenced flavours was this dram I tried at Whisky Live London back in March.

Originally bottled only for travel retail, it came onto market in the UK for general purchase. I’ve tried it a couple of times this year, but this was my original review:

“Aroma: Sunshine in a bottle! If that’s possible. It was warm and inviting, slightly spicy with hints of crème brûlée.

Palate: Loads of tropical fruits flourished: pineapple, banana, mango. Add in flavours of vanilla ice cream and flambeed bananas soaked in caramel and honey and you have dessert in a bottle!”

Dram #3 - Bowmore small batch reserve: 40%:

I tried this dram back in May at (potentially) the perfect moment – when I was hellishly stressed and in need of something delicious to give me a quiet moment of calm.

And it was the ideal antidote to the grumpy feelings I was having – I went from compressed stress ball to smiling, Play-doh putty in moments – whether it’s a good sign that I can become this relaxed from a whisky is something I will debate wholeheartedly at a later date.

But back to the dram…

This whisky was matured in first- and second-fill ex-bourbon casks and was a distinct departure from Bowmore’s other, peatier and sometimes more sherried influences. And, at a mere £32.99 a bottle, it was a steal of a whisky for sure.

This was my review at the time: “The characteristic Bowmore peatiness was there but in an oh so gentle way. There were hints of fudge, vanilla and oak that one would expect from an ex-bourbon cask, but it wasn’t overpowering. It just said, “Hello, you’re feeling stressed aren’t you? Well, why don’t I use my relaxing flavours to eek away your blues!”

For those that like a heavier, sherried Bowmore (like the Darkest) this might seem a bit too gentle. It’s not yelling at you but just presenting itself for enjoyment. The nose is welcoming with grassy, soft sugary notes that would appeal to a beginner, but I think the palate is complex enough with its creamy smoke, hints of lemongrass and saltiness to encourage a longer-term single malt sipper to still enjoy it.

It’s the kind of whisky that, if I had a whole bottle, I’d probably sit down with friends new to whisky and spend the night drinking it all. It was just what I needed to take the edge off!”

Dram #4 – Balblair 1969:

As I wrote at the time, sometimes a dram actually makes time stand still. This was the case with the Balblair 1969 – and it still makes it (possibly) the top of my top drams of the year.

This is what I had to say after trying it at the Balblair Distillery back in July: “This subtle beauty is an absolute stunner. So much so, I actually managed to stop talking for a full 15 minutes. Anything that can make me do that has to be pretty powerful.

This whisky filled my nose with rich, creamy mangoes and papayas, sweet white almond bark (a North American chocolate concoction), apricots and a teeny hint of smoke.

On the palate, everything got even more intense. As I sat with this dram, I was transported to a dreamy, warm meadow in mid-summer. My mouth filled with toasted wheat, honey syrup sticks (another North American confection), the rich flavours that filter from a bakery onto a Parisian street (croissants, pain aux apricots) and the twang of orange bitters. It finished, for me, on a note of nori (edible seaweed) and the sweet hint of smoked salmon.

It was glorious. End of.”

And so ends part one of my “Drams of 2012″ – find out on Monday which other three make the list!

 

Balvenie DoubleWood: 17

November 1, 2012 in Uncategorized

The Balvenie DoubleWood has been a strong part of the range since the 1990s when then Master Distiller and now Malt Master David Stewart created the “Balvenie core range”.

But there’s a new kid on the block now: The Balvenie DoubleWood 17, being released in store today.

This new release has been aged for an extra five years but holds onto the same tradition as the 12 year old version of being aged first in bourbon casks and then in sherry casks. It’s bottled at 43% and helps complete the company’s collection, as The Balvenie now offers the DoubleWood and the Signature (both aged 12 years), the Caribbean and the Golden Cask (each aged 14 years), the Single Barrel (15 year old), the DoubleWood 17, the PortWood (21 year old) and the Balvenie 30 and 40.

I managed to get a hold of a sample of this one, which I was excited to try. I keep the Signature and DoubleWood near to hand for nights when I just fancy an enjoyable, relaxed dram I can fill my glass with multiple times.

The 17 year old version was like a whisper in a glass when I first poured it – honey, golden raisins, black pepper and apples, drifted off in a gentle manner.

On the palate, there was a good black pepper spiciness, and a hint of creamy vanilla, fresh apricot and chamomile. As it moved through the mouth, there was a finish that reminded me of stewed black tea – slightly bitter and drying.

This was a delicate dram that would please many single malt lovers and a good showing to help complete The Balvenie collection.

My only question with this one is the price. The 12 year old is £29.95-£35 at most retailers. The 17 will be retailing for around £75, so it’s quite a hike up for an extra five years in the cask. As I am a big fan of the former, it would be difficult for me to stump up more than double the cash for the 17 year old.

But, as always, I recommend you give it a go. It’s a lovely dram and one to sit around the fire with for a few hours, and I’ve no doubt it will please The Balvenie fans globally.

TWE Show 2012

October 15, 2012 in Uncategorized

Ah, The Whisky Exchange show…how I love thee, how do I count the ways? For weeks leading up to the show I was tweeting my excitement about it – sad, I know, but given it was bringing together folks from across the industry in a giant room featuring hundreds of whiskies in my home town, how could I not be jumpily eager for its arrival?

Last year’s show was the first big whisky event I had ever attended, so I was especially keen to go along again after this great year of whisky tasting and see what new whiskies I could learn about. My goal for the day was to try only whiskies that I hadn’t had before, a plan I stuck to bar when I retried the Glenfarclas 105 20-year old and The Balvenie Caribbean Cask.

The show took place at The Whisky Exchange’s shop headquarters – Vinopolis – near London Bridge. It occurred over a whole weekend but I went along to the trade and press day on the Monday with high hopes there would still be some whisky left.

On arrival, I sauntered over to say my hellos to Tim (of The Whisky Exchange) who poured me a lovely dram specially bottled for the show – the name of which, I DIDN’T WRITE DOWN! Not a good way to start, although I do recall the dram being delicious. Unfortunately, I found myself too busy chatting to first Tim, and then to Pierre and Jean-Luc of Connosr and Simon of Simply Whisky to get my pen and paper out. I did not make this mistake again however.

My first full-on flight tasting came at the Tomatin stand, where I sampled the Highlands-based company’s 12, 15, 18, 21, 30 and 40 year old drams. I will fully review these soon in a separate post, but my favourite was definitely the Tomatin 30 – it was a delightfully fresh dram for one of this age, filled with a crescendo of tropical fruit flavours, from pineapple to mango. It really stood out on the day for me.

Next I headed over to the Compass Box stand to catch up with Chris Maybin and Celine Tetu, the two effervescently friendly ambassadors for the London based blended whisky company. There I tried out the company’s latest release – the fourth edition of Flaming Heart – which is made from a blend of Clynelish and Islay malts. This is a beautifully balanced dram that pulls your tastebuds between the sweeter, highland malt and the power-house Islays. According to John Glaser – the company’s founder and whisky maker – this “…is a whisky born of fire, yet one with a big heart.” Big, bold and well worth trying if you see it around.

I continued my peaty journey by heading over to the Scotch Malt Whisky Society‘s stand where I met with the company’s newly appointed Global Brand Ambassador – Georgie Bell – and picked up a 20-year old Laphroaig, also known as bottle 29.124, Pregnancy Tea Mix. This was a peaty party in the mouth, balanced out beautifully by a hint of sweeter almond and cherry goodness to stop it from overwhelming.

After a good jaunt around the bottom floor – where I also ran into Darren Rook of London Distillery Company, Mark Thomson of Dramatic Whisky, and Joe Clark of The Whisky Lounge and Pritesh Moody of LoveFoodLoveDrink who were manning the stand for the new Paul John whisky from India (a review of which will be going up this week on Miss Whisky) – I headed upstairs where loads of other companies were handing out mouthwatering drams. There I bumped into Andrew Forrester of The Balvenie, Dave Craig of Spirit of the Spey, Cat Spencer of Master of Malt, Kirsty Chant of Chant Comms and an exhausted looking Billy Abbot of The Whisky Exchange, and had a wee sip of The Balvenie Caribbean Cask, a pineappley, mangoey dram of goodness.

After much chatting, it was time to move on and I headed to the food pairing room next door, where I finally sampled the whiskies from Sweden’s Mackmyra distillery and met with master distiller Angela D’Orazio. A separate review of these whiskies and pairings will go live soon.

Next I sampled some quirky offerings from Monkey Shoulder, which was pairing fig and maple cooked bacon, and marshmallows, with its blended whisky. The bacon combo was lovely and robust, jumping and fizzing flavours on the palate. After a quick chat with Whisky Discovery’s Dave Worthington and his daughter Kat, I moved a few tables along and stopped for some of The Whisky Exchange’s Port Askaig, matched with a blue vein cheddar. The dram was gently smoky, with a hint of sea air and lemon on the nose, and a fruity, peachy smokines on the palate. Paired with the cheese, it brought out a creamy indulgence in the whisky that could make it drinkable for hours.

Heading back to the main room on the top floor, I popped by the Irish Distillers stand, where I met the lovely Meghan Kenny, a Jameson brand ambassador and yet another young woman making her mark in whisky. I also ran into Deirdre McBeth, Jameson’s brand assistant who spoke at the women’s only whisky panel I held with The Whisky Lounge earlier this year. Meghan took me through Yellow Spot to start – a big excitement for me as I already love Green Spot but hadn’t had the chance to try its newly released single pot still sibling. Made from a mix of Malaga sherry casks and bourbon barrels, this whiskey was like butter in the mouth – it was super creamy, with hints of almonds and grains. “Like a yummy breakfast meusli,” I wrote. Next I sampled the Redbreast 12 year old cask strength. Red Breast is already a big favourite of mine, but this new release pumps up the volume just that bit more. It was all about the almonds and citrus for me on the mouth. With water, it “softens to a pillowy state,” according to my notes, which were starting to get ardently poetic as I tried increasingly more samples. Both of these Irish Whiskeys are knock outs and I can only recommend that you give them a chance if you find them around.

Realising I had only an hour left of the show, I wobbled my way downstairs to the Number One Drinks stand so I could sample a range of Japanese whiskies. There I met the company’s team including Marcin Miller and Ed Bates, and fellow whisky bloggers Oliver Klimek of dramming.com and Jon Bryant of Living Room Whisky (who kindly provided many of the beautiful pics seen on this post). This was a very exciting stand for me. My favourite whisky of last year was the Chichibu the First, which I tried at the show. This year, I was determined to sample as many of the company’s whiskies as possible, and Jon and I did it justice! A separate post will follow shortly on all the amazing drams I tried, but in between chats with Eddie of The Whisky Lounge and Dominic Roskrow, I managed to try the Chichibu Floor Maltings, Karuizawa 48% and 55% whiskies, the Karuizawa 1982 and 1984, and the Karuizawa Noh. I was like a child at Christmas with these amazing drams – but more on that to come in a later post.

Finally, I grabbed a quick taste of the Ardmore 1982 (which tasted like “Hobnobs dipped in tea”) and ran upstairs to see Diageo’s Colin Dunn and sample two of this year’s Special Releases – the Brora 35 year old and the Port Ellen 32 year old. The former – made from a combination of whiskies from 1976 and 1977 aged in refill American oak casks – smelled of Australian soft licorice, nutmeg and sweet petrol (in a good way) and tasted gloriously creamy and soft until late in the sip when it went spicy on the palate. The latter, meanwhile, was incredibly drinkable even at 52.5%, which would be dangerous given it costs £600. It was citric but sweet, with notes of honey, oak and a tinge of smoke – a perfect dram to finish the day off on.

After saying goodbyes and having a quick chat with the lovely Amanda of The Whisky Lounge and catch up with The Whisky Exchange owner, Sukhinder Singh, on how he felt the day went, it was finally off home.

I was in awe of many of the whiskies tried that day. The standouts for me were the Tomatin 30-year old, Yellow Spot and Karuizawa 48%. And now I can only wait in anticipation for next year’s show!

A big thank you to Living Room Whisky’s Jon Bryant for providing photos for this post since I couldn’t manage to take notes, try whiskies, tweet and snap photos all at the same time!

A taste of greatness: Whisky Show dinner

September 14, 2012 in Uncategorized

“We think it’s going to be great. And if you don’t, I’m sure you will after four or five whiskies.”

So said Michelin star chef Sriram Aylur at Bombay Brasserie to a room full of whisky lovers, and so began The Whisky Exchange’s Whisky Show dinner.

The evening’s dramlaxing commenced on an eastern note with the launch of a new Indian single malt whisky from Paul John, a very large producer in India but one unknown to the UK shores before now. It was delightfully rich for a three-year old dram, with hints of honey, vanilla and caramel.

After finding our seats in the cream and brown accented room, we lucky guests were presented with an outstanding cocktail from award winning mixologist, Ryan Chetiyawardana. The man behind London’s headlining cocktail bars Purl and The Whistling Shop, whipped up a rich and spicy drink made from Cocci vermouth, a tumeric bitter, Eagle Rare bourbon, lemon and basil. It was mouthwatering, with just the right balance between sweet and bitter.

But the evening – which acted as a prequel to The Whisky Exchange’s upcoming show on the 6-7 October – was all about food and whisky pairings. Sriram worked to concoct a menu that would move from starters through to dessert with a whisky match for each dish. A hard task for any set of foods but equally harder with robust, Indian fare, I thought. To make the evening more interesting, all of the whiskies were served blind, thereby forgoing any potential bias we might have towards the drams before we’d tried them with the food.

We began with deep fried spinach and sweet mango – a very nutty dish that reminded me of freshly baked pumpkin seeds. It was paired (I later learned) with the new Balvenie 14 year old Caribbean Cask. The whisky – with its flavours of lychee and tinned pears, cream and cedar – matched very nicely with the sweet mango addition to the starter. I’m not sure it would have paired as well without some element of sweetness in the main dish but it was a pleasant way to begin.

The next dish was the stand out one of the night for me – but not because of the pairing. The tongue-tingling spiciness of the pan fried tilapia and batter fried spiced prawns were delectable. It was served with the biggest surprise whisky wise: Johnnie Walker Blue Label. While all my table-mates and I discussed which Speyside dram it might be, we were all shocked to learn this best seller was the match. I enjoyed the whisky (the first time I’ve tried that one) and the food was gorgeous, but I found the butter caramel and pineapple notes of the dram to be too sweet for the food – its spiciness totally clobbered the dram into in-distinction.

And so it followed that my favourite dram of the night followed my favourite dish. We were all perplexed by mystery dram number three. At first, I got lemon cookies, almonds, Christmas trees and panettone on the nose and the mouth was all “mango, mango, mango” as I wrote. But it was when Tim (resident blogger of The Whisky Exchange) said he was confident it was an Irish dram that it suddenly clicked for me and memories of one of my favourite drams from the company’s Irish tasting back in March came flooding to my mind – Midleton Barry Crockett Legacy! This was paired with an assortment of delicious Indian dishes, such as lamb Roganjosh, dal tadka and, my favourite, aloo Katilyan (potatoes cooked with cumin, garlic, ginger and spices). But, again, I preferred the whisky on its own. I think my palate might have been overwhelmed by that point. Regardless, both were delicious – I’m just not sure I’d put them together in future.

After satiating myself on so many courses, I felt sure I couldn’t handle a dessert but when the reduced milk pudding with berries and Malai kulfi came out I couldn’t resist. Many people were taken aback at the bold pairing: an Ardbeg Uigeadail. But after a few tastes and sips, I could see some of the logic – after all the savoury food, the Ardbeg took on distinctly sweet notes which paired pleasantly with the kulfi. An experiment with the other whiskies on the table, however, showed us the previous whisky – the Barry Crockett – actually worked better with the milk pudding. But, I commend the chef on his bold choices.

The meal finished on a dark, Madagascar chocolate and the exciting new Glenfarclas 105 20 year old. I, unfortunately, didn’t take notes on this one, but allowed myself to sit back in satisfaction that I was trying a new dram from one of my favoured distilleries.

By the time I waddled out, happily filled to the brim with spices, rich flavours and fabulous whiskies, I could only think that if The Whisky Exchange’s whisky show prequel dinner was anything to go by, the festival in October will be outstanding.

For more information on The Whisky Exchange’s upcoming weekend whisky show, visit: http://www.whisky-show.com/

 

A five decade legacy: David Stewart

September 3, 2012 in Uncategorized

“If you decide to become a master blender, you’re in it for the long term.”

This statement is, no doubt, a wise one but it is perhaps most pertinent coming from a man like David Stewart who is currently celebrating his 50th year with William Grant & Sons – owners of The Balvenie and Glenfiddich.

When he started he had no idea he would stick with the company for five decades. In fact, working in whisky was not even a planned-on career move. As a 17-year old and recent graduate, David had been for interviews with both a bank and an insurance company when he went for his interview for the role of stocks clerk at William Grant. As fate would have it, that was the role he got.

On the 3 September, 1962, David walked into the offices – then based on West George Street in Glasgow – with little concept how his career would progress.

“I had no idea I was going to start on the road to becoming a master blender because I didn’t know anything about whisky,” he said, during a recent interview.

His role then was to check accounts and stock ledgers, and mark off the bottles that had been used in blends. After two years, Hamish Robertson (the previous master blender) got him to start nosing whisky. It was also when he began drinking the spirit.

“Occasionally we had to take a sip of it, but really before that I’d probably never tasted whisky. I think I was drinking rum and coke, and beer at that time,” he said. “ But quite quickly I was getting the taste for whisky.”

After five years in the centre of Glasgow, the team was moved out to Paisley. By then, David was doing his training more seriously with Hamish and single malts were beginning to come onto the scene, with Glenfiddich launching in 1964. He began visiting distilleries to learn more about the whisky making process from its start and, as the company grew, increased his knowledge on the nosing front.

In 1974, at the age of 29, Hamish departed William Grant & Sons for William Lawson’s and the company began hunting for a replacement.

“They did look around the industry to see if they could bring in another master blender but they weren’t successful and they said they’d see how I’d get on,” explained David.

After a six month probation period, it was decided that he could keep the role – a position he held for 35 years until he handed the reins over to his protégée, Brian Kinsman, in 2009, and became The Balvenie Malt Master.

There have been many highs during that time, including when he helped develop what is now considered to be the core Balvenie range.

When he took the role on, however, things were very different. Glenfiddich was one of the only single malts in the market and the company was significantly smaller, with only Glenfiddich eight year old and the Grant’s Standfast blend as the two main brands.

“But still, at the age of 29, it was a bit of a responsibility knowing that what goes into that bottle rests on my decisions,” he said.

At the time, he had just gotten married but he and his wife held off having children until his career was more established. They later had a daughter and two sons – none of whom are involved in the whisky industry but all of whom have realised their father has little desire to leave.

Over the years, David says one of the best parts of the role was the continual education.

“In 1974 I knew I could tell what was right and what wasn’t and if anything went wrong I could pick it up. But it’s a role where you’re always learning so even at that stage I wasn’t the finished article and have probably learned a lot more since,” he explained.


He decided to stay with the company, he said, because he was afforded a lot of freedom to experiment and take chances. This resulted in the creation of many wood finishes in The Balvenie brands, an early first in the industry.

“We believe we were the first into finishes because the Balvenie 12 year old classic back in the ’80s, was really the DoubleWood, as it was finished in sherry casks. That word – finishes – hadn’t really been invented and that’s what gave me the idea of DoubleWood in the ’90s,” he said.

His experimentation around finishes has been one of the things that stands out in his career as he learned how long to leave whiskies in different casks and which styles work.

“It’s not always the same each time, it’s up to someone like myself to realise when it’s ready. Sometimes it’s nine months, in other cases it’s 10 or 11 but I’m looking for it to be the same each time. It’s one of the great things about being a malt master blender; it’s a great feeling to see how these whiskies are doing,” he said.
But David – who many in the industry say is incredibly humble about his decades of achievements – told me he also recognises how fortunate he is.

“We’re lucky: we have a lot of aged whiskies and a lot of people would die to taste a 1965 Balvenie. I can open the cask up and taste it.

“And some of the foreign travel trips have been amazing. I would never have got to a lot of these places and met so many interesting people if I hadn’t have been in this role.”

While he is not planning to fully retire just yet, he said when he does eventually depart William Grant & Sons he will look to spend more time on his garden and with his wife walking in the Lake District.

“Whisky has been my whole life really – it’s quite a demanding role so there’s not been much else, I haven’t managed to build up a huge amount of hobbies. I will miss it,” he added.

His main hope is to leave behind a legacy that would make the original founder proud.

“You have to have patience in this role, everything does take time especially if you’re doing something from the new distillate. And commitment to your role, passion for your whiskies and wanting to get the best qualities out there for our consumers really is key. That’s probably what I’d want to leave as a legacy: the quality and reputation we’ve managed to build up in our single malts and in our blends,” he said.

But looking back over such an illustrious career, it now feels like there could never have been another route for him.

“My role had to be in the Scotch whisky industry; I couldn’t suddenly switch to be in banking or insurance,” he concluded.

I’m sure the industry and the consumer are both very glad of that fact.

A Spirited Journey

April 28, 2012 in Uncategorized

It was when I was stuck on a rock, slowly tipping from side to side with racuous water spinning by that I realised I may not be cut out for canoeing. In slight panic, myself and canoe buddy Fiona (of Fiona Outdoors – her blog name synonymous with a person ‘at one’ with the natural world) pushed and shoved our way off the rock, attempting to free ourselves from the Lady Spey’s grip that seemed hopeful of pulling us under. After what seemed like an eternity, we skiffed back, righted the canoe and continued swooshing down the river. I was, it would seem, in desperate need of whisky to calm my nerves.

This dramatic (for me, at least) incident occurred during day two of a paddle down the River Spey with Dave Craig from Spirit of the Spey. The two day adventure took us 25 miles to the sea at Speybay, with stops at beautiful hotels and the Balvenie Distillery, where paddling companion and Balvenie UK brand ambassador Andrew Forrester provided a distillery tour. Dave has recently combined the outdoor trip with visits to whisky distilleries – a natural match for an area booming with whisky output from places like Aberlour, Cragganmore, Macallan and Balvenie.

Up until this point, I had been loving the trip. Dave is the most experienced guide for trips on the River Spey, having done more than 140 descents down the river and acting as a Scottish Canoe Association River Spey adviser for more than 30 years. Throughout the trips, he shows an enormous love and passion for the river, founded in solid knowledge (everything from the type of bird flying overhead to where the next rock will crop up). He is utterly enthusiastic and extremely kind, even when you’re not at your best.

I had been looking forward to the trip for months and couldn’t wait to get onto the water. So, it was a surprise when I found myself, well, floundering.

The trip had begun two days before at Dave and partner Jude’s lovely B&B called The Beeches – a comfy, cosy home where tea and homemade cakes are always available in the guest area. That first evening, our group of canoeists (Andrew, Fiona, Dave and Nicola, from the Whisky Boys) came together for a wonderful meal and a full tasting of the Balvenie, during which I finally tried the stunning 30-year old, a rich, American oak 49.2% whisky. Opting to not feel worse for wear the next morning I left the others to continue dramming and got some shut eye.

The next morning, I awoke to a rather beautiful but unpleasant scene – snow, snow and more snow. Miss Whisky was going canoeing in the snow. Now, being from Canada originally, I don’t mind either snow, or canoeing. But even we Canucks don’t attempt this!

Seven layers of Michelin-man style clothing later, I was curled up in the back of the car en route in the snow to the River Spey, repeating to myself: “I can’t believe I’m going canoeing in the snow.”

But, by the time we reached the launch point and got on our way, the sun was shining. Snow sparkled off the banks and the Lady Spey was kind to us as we drifted downstream, narrowly avoiding rocks and splish-splashing through choppy rapids. When we arrived at our stop-off point for the day, seven miles downstream at the towering Telford Bridge, my arms were aching but canoe buddy Fiona and I had our strokes sorted and were tandeming it up like nobody’s business.

After hauling the canoes and equipment up onto the river bank and dropping our stuff at the cavernous, old rambling hotel, the Craigellachie, it was off to the Balvenie for a guided tour with Andrew himself.

And can I just say: after hours of paddling (especially for someone whose only regular exercise routine involves walking downstairs to buy a pint of milk) a dram of whisky goes a long way to soothing those aching limbs.

We started the tour off in the cooperage, taking in the workroom where the barrels are tested and turned ship-shape and shiny for refilling. Moving on, we explored the snowy grounds where some of the barley is grown for the whisky and then into the first warehouse where the barley is steeped in spring water for two days.

Downstairs in the warehouse sits the malting floor – one of the only ones still used in the whisky world. Here, piles and piles of silky golden barley is allowed to begin the germination process. It’s all hand-turned in a back-breaking manual method before heading off to peat kilns to be air dried and very (VERY) lightly smoked.

Heading over to the mash rooms, we checked out the mash tuns (where water is added to the grist (or milled barley)) and the wort tubs, which were spitting and frothing their way through the fermentation process.

“It’s like a giant student party with loads of alcohol and sex and it keeps reproducing,” quipped Andrew of the fermentation stage.

After taking in the alluring copper stills, we headed over to the “behind the scenes” Warehouse 24, in which is kept some of the most precious Balvenie malts available. We were lucky enough to bottle our own to take home – I chose the 15-yo refill bourbon cask, which sits proudly in its box for a special occasion.


As a newbie to the distillery tour world, this one was absolutely fantastic. Being able to see the fields on which the barley grows, right through to the warehouse where the final whisky is stored, was a privilege and I highly recommend a visit if you find yourself in Grantown-on-Spey anytime soon.

That evening, over drams in the incredible malt bar at the Craigellachie hotel – which features nearly 700 whiskies – and a tasty meal of smoked salmon and fresh tuna nicoise salad, we reflected on the long day, amazed at how much we had fit in.

The next day I woke up with a slight issue – my voice was gone. I was ill. And, I don’t mean “man-flu” ill – I mean, properly, ill. Aching limbs, aching throat, exhaustion – all had decided to claim my body from me and leave me with but a squeak to communicate.

By the time I’d wrapped up in all my layers, I was still freezing – in that state, the last thing I wanted to do was get on an icy river with the potential of falling in. But, get in the canoe I did, attempting to keep positive for at least the beginning part. As the cold soaked in (literally), however, and the river fought back, I floundered. Power had sucked out of my arms and every stroke seemed a huge effort with almost no effect. I’m afraid to say that Miss Whisky got rather stroppy. By the time the rock perched us on edge and threatened to pitch us into the dark waves, I’d nearly given up.

Soon after, we found refuge on a bank and set up an incredible spread of sarnies, cheese, fruit and biscuits. The only thing that could catch my eye, however, was the Pot Noodles and whisky.

This has now become what I term “The Superman Cure”.

A cup of steaming noodles and a few drams of SMWS and Balvenie whisky later, and I was filled with a resurgence of energy – even if I did still sound like a mouse.

I am now, proud to say, I did not give up despite coming near to it. Another two hours of paddling later and we arrived at the sea – none of having tipped ourselves into the river! It was a success all around and as we found the last reserves of strength to lug the heavy canoes up the banks of Speybay to our awaiting transport, I looked out onto the waterway and said my thanks to Lady Spey for keeping me canoebound. A dram was had all around!

Thank you to Dave Craig for the fantastic journey and for putting up with Miss Whisky when she was ill. And to Dr Andrew Forrester for leading a great tour of The Balvenie. For more details on the canoe journeys, visit: www.spiritofthespey.co.uk. To book in for a tour of The Balvenie, visit: www.thebalvenie.com