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Stewart Laing on his new co, de-mergers and the future

May 20, 2013 in Interviews

Hunter Laing

He may have spent 40 years in the whisky business, but Stewart Laing has big plans for the future of his new business and is in no mood to step back from the hustle and bustle.

The former partner in independent bottler and blender Douglas Laing & Co has recently set up Hunter Laing & Co in central Glasgow after deciding to split from his brother Fred, who he worked with for four decades.

“It worked beautifully for 40 years but as we have grown older, my brother and I, we developed different views as to the way forward for the company, which is a fairly regular occurrence for family companies. We decided to be grown up big boys and amicably split the assets 50/50,” he told me in a recent interview after the 1 May split.

The division means the new Hunter Laing & Co (named after Stewart’s middle name) will own Old Malt Cask, the Old & Rare Selection, Douglas (of Drumlanrig) range of Single Malts, Douglas Blend, House Of Peers, Sovereign Single Grain and John Player Special blend as well as the bottling facility in East Kilbride. Fred, meanwhile, retains the original business name (Douglas Laing & Co) and brands Single Cask Provenance range, Director’s Cut, Double Barrel, Premier Barrel, Clan Denny Malts and Grains, Epicurean Blend, the King Of Scots range, McGibbon’s and Big Peat.
One of the main reasons for the split, according to Stewart, was his desire to work with his two sons, Andrew and Scott, who are themselves established in the whisky industry with their company Edition Spirits.

“My father had my brother and myself but I wasn’t able to work with my sons at Douglas Laing. It’s a great pleasure and pride as a father to have my two sons involved. They know their way around whisky so it will be great to see what their younger legs and more agile minds are able to do,” he said.

Hunter Laing Logo

But despite the addition of two younger team members, Laing said he is no where near backing out of the whisky world yet.

“I’m still up for the fight and still got the buzz and the day I don’t is the day I will decide to retire but that’s not going to be any time soon,” he added.

What the future will bring he, of course, isn’t sure. Looking back over the past decade, he said he wishes he now could have predicted the huge boom in Scotch globally.

“I wish I knew five years ago what I know today, I could have gone to town buying stock. But it’s taken everyone by surprise and I don’t feel embarrassed to stand up and say I didn’t predict the growth of emerging markets and the middle class wanting to consume Scotch over tequila or vodka,” he said.

With all the positivity in the market at the moment, he said the new company are planning to continue to develop.

“We have a number of new and exciting brands in the pipeline and we’re fortunate in stock situation and trading relationships so we’re able to move forward in a way that will differentiate us from the competition,” said Laing. “We have our beliefs, our plans and if they come to fruition then hopefully there will be more to talk about.”

For more information, visit the company’s new website which will be going live at the end of May here.

Whisky Live London Roundup 2013

April 3, 2013 in Events

ChatterboxI sometimes suffer from an affliction of the most distracting kind – the chatty bug.

Known to affect many of the North American breed, it leaves its victims in a state of constant communication, unable to absorb or apply themselves to anything outside of the realm of conversation.

Scientists – especially those in Paris who are frequently subject to loud sufferers with southern accents who only speak ENGLISH – are working to find a cure but hope is fading that those afflicted will ever be able to escape its clutches entirely.

And it does tend to strike at the most unfortunate of times – in the latest case for this whisky lover, it launched itself into action during Whisky Live London, leaving me unable to spend much time sampling.

As such I admit now that, due to the unforeseen appearance of the chatty bug, I have fewer top whisky recommendations to share with the world, despite spending seven hours wandering a closely confined space filled with innumerable drams.

Chatty bug aside, Whisky Live returned to the Royal Honourable Artillery Club recently with many stands featuring everything from whisky, rum and bourbon makers, through to craftspeople and food producers.

Things started out smoothly enough – after a quick scan of the room I was off on my way. But then I ran into Cat Spencer at the Master of Malt stand (the company for which she is head of marketing), where I started chatting so much that I didn’t even get to try their That Boutique-y Whisky Company: Clynelish that everyone was raving about after the show.

Cat Spencer Whisky Live

Next, I had a quick chat with Eddie and Amanda Ludlow who were on great form with their Great Whisky Company hats on, helping Chip Tate spread the word about his Balcones whiskies. Knowing I would be trying the full range soon after the show at a separate event (and from which an interview with Chip will be forthcoming here on Miss Whisky) I continued chatting without really trying the whisky itself!

Chip Tate Whisky Live

I did manage a quick stop-in at the Inver House distillers stand where – after a quick chat, of course, with Lucasz Dynowiak who was pouring Old Pulteney (and who is also from Edinburgh Whisky Blog) – I got the chance to sample Old Pulteney 35-year old. The whisky, I was told, was matured in ex-bourbon casks before being transferred to active ex-Oloroso sherry casks for 18 months. It had a lovely furniture polish and woody note on the nose with hints of lemon peel, and a great gentle balanced sweetness with nutty characteristics on the palate from that sherry influence.

I continued my circulation of the room and spent a few minutes speaking with Oliver Hughes of the new Dingle Distillery, a craft distillery located on the west coast of Ireland. While the company is still in its very early stages, it is already maturing spirit to make whisky and has released a vodka and a gin which are being distributed in many of the town’s lovely restaurants. The gin I sampled was extremely floral (the company uses fuscia as one of its botanicals) and fragrant on the nose – so much so it took two rinses of my glass to get it clean for trying more whisky. I look forward to seeing what else comes from Ireland’s newest distillery arrival.

Next up, I headed to The Glenrothes stand, where Spirits Manager Doug McIvor poured me a 2001 vintage. In between catching up, I managed to nose and taste this appealing dram, which was filled with melting butter, lemon, caramel and bananas on the nose, and licorice, oak, toffee and a hint of sulphur on the palate.

Then it was over to the Whyte & Mackay stand to say hello to Richard Paterson who was serving up drams to interested and awed passersby in his usual engaging and flamboyant manner. On the stand I grabbed a wee sample of the Dalmore Millennium 2000, bottled exclusively for members of the Dalmore Custodians online members’ club. It had one of my favourite ‘noses’ of the day, with hints of cocoa, melon, baked apple skins and butter. On the palate, it was creamy and reminded me of a sherry soaked Terry’s Chocolate Orange. All around, rather drinkable.

This was followed by a visit to the Burn Stewart stand in the accompaniment of Kirsty Chant of Chant Communications – though, more like Chat Communications that day (see what I did there?). In between the conversation I managed to try the Deanston 12, Bunnahabhain 18 and Bunnahabhain 25, the latter of which really stood out for me. A mix of red apple skin, toffee, oak and dried nutmeg on the nose and palate made for a rich, pleasing dram that I could drink repeatedly.

Mackmyra Whisky LiveThe rest of the show is a bit of a blur – not due to whisky consumption but simply due to the amount of time spent speaking to people I’d met before and those who were complete strangers (the chatty bug does not discriminate with whom one holds a conversation).

Final whiskies that really stood out were the various offerings on the Mackmyra stand, from the new make spirit marketed in Sweden as Vit Hund (or White Hound) that was full of jasmine tea and bilberry on the nose with a fresh, fruity palate bursting with blackcurrents, and the Mackmyra Blue, which had a glorious, bountiful melange of vanilla, pears and blueberries on the nose and vanilla, almonds and cream on the delicate palate. The Special ’08 (Mackmyra finished in Sauternes casks) was so great that in between chats with master blender Angela D’Orazio and Jon from Living Room Whisky I could only process the statement “TASTES GOOD”, which, let’s face it, is sometimes all whisky needs to be – damn good.

Whisky Live tasting note

And so concluded another Whisky Live London. There are many drams that I would have loved to have tried but the chatty bug gets its way most times it rears its head. I only hope it doesn’t strike so thoroughly next time!

Were you at Whisky Live London? What drams stood out for you? Let Miss Whisky know in the comment box below!

Thank you to Whisky Live for inviting me along to the show this year and to Jon Bryant of Living Room Whisky for providing the final photo.

 

 

 

 

 

Scotch whisky’s boom: industry viewpoint

March 11, 2013 in Interviews

There can be little doubt that the Scotch whisky world is experiencing a boom at the moment. A recent study from the Scotch Whisky Association suggested it contributed £4.2 billion to the Scottish economy in 2012 and saw production levels reach their highest point ever.

And this trend looks set to continue. At a recent conference I attended, new research conducted by International Wine and Spirit Research (IWSR) for the Vinexpo Conference (a yearly wine and spirits event in Bordeaux) predicted global consumption levels are likely to rise 12% from 2012 to 2016. This rate is nearly more than any other main spirit category with Cognac the only other high-growth product (with expected rises of 12.22%). Baijiu (a white spirit made in China) is predicted to grow further but with that increase mostly limited to domestic markets, it is Scotch that will be taking centre stage globally.

So, what will this mean for the Scotch industry?

According to whisky writer Ian Buxton, this growth further points to a new ‘golden age’ for Scotch.

“Over the long term, whisky has a history of boom and bust. This feels different, however, as the potential growth is spread over many more markets and a new generation of consumers are transforming whisky’s image to something contemporary and fashionable,” he commented.

However, the figure of 12% growth wasn’t necessarily on the money, he said.

“If anything, the forecast seems conservative – but I would be sceptical about any five-year forecast taken to two decimal points.”

Glenfarclas Distillery

George Grant, Brand Ambassador and future heir to family-owned Glenfarclas whisky, agreed with Ian.

“We have seen it growing between 15% and 25% per year for the last five years already,” he said.

But what can all this major growth mean for a product that needs time to mature and make?

According to George: “Twelve per cent growth over the next five years is certainly going to scare some companies who are already running at full production and cannot squeeze anything else out,” he said.

Jura Whisky DistilleryA spokesperson for Whyte & Mackay agreed there will be challenges in keeping up with that demand.

“Whisky isn’t an instantaneous product, by its very nature it needs at least three years to mature in cask and whilst the craft and care that goes into whisky is one of its most redeeming selling features, it does mean that stock levels need to be very carefully managed. More demand will equal the need for more whisky and I expect that we will start to see more distillers running 24/7 production to keep up,” she said.

On the positive side, Diageo’s head of whisky outreach, Dr Nick Morgan, said this will mean more money is invested into the industry. Pointing to the £1 billion planned for increased capacity at their distilleries and the building of new sites, he said this shows the company’s confidence in the industry’s potential.

“If you’re investing in production the way we have been for the past five years, we’re talking about a belief in sustained growth for the next five, 10, 15 or 20 years,” he said.

But it won’t just be about keeping up with demand. Focusing on continuing to create a quality product will be paramount as well, suggested George.Talisker Distillery

“One negative thing has to be a quality issue: it is all well and good being able to produce more spirit, but there is only a finite amount of good casks out there to mature the whisky in, so something has to give. This is not an issue for Glenfarclas but I can foresee it being an issue for companies that were struggling to get wood last year – if they have to find an increased 12% then wood that would normally be scrapped will be getting reused,” he explained.

It could also mean a shift in what whiskies we see hitting our shelves, according to Whyte & Mackay.

“For the foreseeable future, I believe non age statement products will come into fruition. We have already seen many companies move towards this and I believe it can only be a good thing for the industry as it gives the master blender more freedom to create different flavours and finishes without being restricted by age,” she said.

Cara Laing, a spokesperson for Morrison Bowmore Distillers, agreed that there is generally a positive viewpoint towards the category.

“It’s great to see new consumers from both the UK and the emerging markets exploring the whisky category and enjoying the spirit. The potential negative is stock restrictions and in turn potential price increases,” she explained.

Casks at Balblair

And what of price? Will this continued increase in demand and squeeze on supply mean the average consumer will be unable to access the bottles being produced?

According to Ian, there are various factors that will help keep prices down.

“We shouldn’t forget that the overwhelming majority of Scotch whisky (more than 90%) is consumed as relatively young blends and competition will keep prices in check,” he said.

Going forward, Nick concluded the positive points far outweigh any negative points for either the consumer or the industry.

“This is hugely good news for Scotland and communities where all whisky producers make whisky – we’re all absolutely knitted into the fabric of Scotland and I think all local economies will benefit from this growth. It’s something I am very passionate about. This is not generally a good story, this is a good story.”

 

 

Lady of the Glen Single Cask Whisky

February 1, 2013 in Reviews

Recently, I wrote about a new independent single cask whisky company on the block called Lady of the Glen, which you can read all about here.

In short, the company was started by Gregor Hannah (who is also a bagpiper) in Fife. He will be bottling only single cask whiskies and currently has two to offer in his range: a 24-year old Invergordon and a 14-year old Benrinnes.

As I have written about before, I am a big fan of single cask whiskies (or, at least the ones I am familiar with) and normally experience them through the Scotch Malt Whisky Society. I was, therefore, intrigued to learn of a young whisky aficionado who had spent three years setting up his own single cask bottling company.

I have tried both of his first whisky releases and here are my thoughts on each.

Invergordon: 24-year old: 56%:

(c): Golden mustard

(n): To start, there was LOADS of vanilla and cream, akin to chewy vanilla pods that are desperate to jump right out of the glass. When I added water to help ease that 56% bite, notes of milk chocolate came through in addition.

(p): This was a really spicy whisky without any water (not entirely a surprise) with loads of ginger and lemon flavours. Without water, it wasn’t as multidimensional as I might have expected but it was pleasant. With water, a lovely oiliness came to the surface and there were notes of vanilla, chewy lemon peel and fleshy fruits. It was much easier to handle with water but had a touch of a bitterness that I’m not a massive fan of – but I am really sensitive to any bitter notes, so this will be heightened on my palate.

(f): Without water, this had a thick gingerbread and licorice finish but with water, that heavy flavour eased and more fruity, peach notes came through.

BenRinnes: 14-year-old: 57.8%:

(c): Amber sunset

(n): This was very intriguing – a mix of cherries, a hint of cough syrup, oak, milk chocolate, vanilla, lemon and coconut: a full basket of ripe flavours even without water.

(p): On the palate, it was slightly drying and there was a tiny note of sulphur in there too. It was really fruity with apple, peach, fig and milk chocolate notes. I would never guess it was so strong, as the alcohol burn really didn’t come through in this one. I thought it was delicious but it could be a bit divisive with that touch of sulphur taste lingering in the background.

(f): The finish was all about dried apples. A perfect dessert!

Gaining Pace: Lady of the Glen

January 17, 2013 in Interviews

According to Gregor Hannah, founder of new independent, single cask whisky bottler Lady of the Glen, the key attributes of his whisky products are about flavour, cask strength and quality.

Gregor is a new entrant to the whisky market, having worked to set up his whisky company based in Fife since 2009.

But his passion and interest in whisky started many years before, founded on the times spent with his father – an army piper who traveled the world with the Black Watch Pipe Band.

“Every time he came home he would sit down in his chair, talk to his dogs and pour himself a Glemorangie and Irn Bur. It sounds blasphemous but that’s what he did.

“After he left the army he would tell me all about his varied experiences – bombs and shots in Ireland, drunken fist fights in Germany, getting sun stroke in Japan…it was a time for us to bond and laugh,” recalls Gregor.

Over the years his father’s whisky collection grew with bottles from around the globe. When Gregor turned 18, his father began to share.

“My father said I could open any bottle from his collection. Initially I chose an Indian bottle at 100% proof, [to which he said]: ‘Any bottle but that one.’ Now at every milestone we will have a toast together and thankfully there is no Irn Bru in sight,” says Gregor, adding the next big toast will be at his wedding this September.

His exposure to whisky over the years led him to take an interest in starting up his own single cask bottling company after leaving university. The decision to focus on this category was bred from a belief that there is a gap in the market for rarer, single cask bottlings at affordable prices.

“I felt at this stage it was important to keep the product close to its Scottish roots. To be honest Lady of the Glen is all about flavour, cask strength and quality,” he adds.

His main focus when he set out a business plan was on making everything perfect – a fact which meant the project has taken nearly three years to get off the ground.

“First I had to save up my pennies, find a first class designer and obtain high quality whisky casks from the correct supply chains. I am adamant that I will not rush for anyone; slow and steady wins the race and I will always strive to provide the best product possible,” he explains.

The hard work has led to him launching a 24-year old Invergordon single cask whisky (priced at £62.50) and a 14-year old Benrinnes (priced at £65.22). The label has been designed by a Scottish designer named John Hamlin. Reviews on both whiskies will be coming to this site shortly.

Gregor – who is also a bagpiper, along with his fiancée Dawn – says the main goal for the time being is in getting the product out into the public space but not by moving ahead too quickly with the brand.

“Our goal at the moment is to grow and expand our range slowly. A quality product should never be hurried simply for profit.

“However, that’s not to say we don’t have big ambitions. I want to one day export abroad but I will not go down the route of only having my whisky available abroad. At this stage I just want people to try my whisky and enjoy it with loved ones so that hopefully they can recommend the brand to a friend.”

There will be further releases in the coming months but it is a topic that Gregor is currently mum on.

And so, for someone with a long-standing history with whisky, which is his favourite?

“My granddad would say, ‘There is no such thing as a bad whisky, only some are a bit weaker than others.’ I wish I could agree with him but I’ve tasted some howlers in my time.

“For me, an excellent Invergordon embodies what Lady of the Glen is all about: it is sweet, feminine and the bursts of vanilla continue to surprise the more you taste it. It grows and evolves on the palate and is simply a joy to drink.”

And while he clearly has no aim to rush things, he does note his desire to give something to the the next generation.

“Hopefully one day any future children that I have will look at my cabinet the same way I used to look at my dad’s and I can pass this business on to them,” he concludes.

For more information on Lady of the Glen, visit: www.ladyoftheglen.com

 

 

Back to Blends: Ballantine’s Range

January 10, 2013 in Uncategorized

Over the past year, I have had many opportunities to experience a range of single malt whiskies, the chance for which I feel very privileged.

However, it has also been a year where blends have not featured as heavily in my tasting experiences as I may have originally planned.

While I love a good single malt, I have no major issues with blends. It’s true that poor quality blends can put off new whisky drinkers if they are too harsh, unbalanced or lacking in anything exciting. But it is equally true that – just like grain whiskies, which I often enjoy – blends can get a bad rap.

Companies like Compass Box are looking, well, outside of the box, and helping to make blends of interest again, focusing on the fact this style of whisky can be very well constructed and still take a hell of a lot of work.

Of course, many new whisky drinkers may not come across more boutique companies like Compass Box in the early stages of their whisky journey. This is why I think it’s important to sometimes go back to brands that one can easily find in supermarkets (along with whisky specialists, since some blends are as pricy as single malts) and give them a chance too.

I have recently had the opportunity to try much of the range from Ballantine’s – a blended Scotch that is extremely popular on the continent, if not as much here in the UK.

As background, George Ballantine was a grocer who set up his own shop in Edinburgh in 1827 at the tender age of 18. As his grocery store became more successful, he began to specialise in whisky, bringing in his own stock and amassing great quantities. In 1867, he set up two much larger stores in Edinburgh and Glasgow with son Archibald and, along with continuing to sell other whisky brands, began creating his own range. He died in 1892 but was posthumously awarded a Royal Warrant by Queen Victoria in 1895. The company was eventually acquired by Canadian company Hirim Walker Gooderham & Worts in 1936. It is now a part of the Pernod-Ricard portfolio.

I had not come across much Ballantine’s previous to this tasting so it was almost a complete mystery.

So what did I try?

I’ll start with the Ballantine’s 12-year old. Introduced to the range in 1960, this whisky comes in at 40% and is the colour of golden hay. The nose was sweet, with notes of banana skins, caramel and oak. The palate has an initial sweetness of ripe fruit, apples, vanilla fudge and a dry smoky, spicy note just at the end. The finish is slightly bitter (almost fungal or grassy) but with hardly any alcoholic bite. It was very pleasant and I would suggest a great entry level dram if you can find it, that is, as I’ve not found it to be heavily stocked here in the UK.

Next up I sampled Ballantine’s Finest, which has been on store shelves since 1910 and is the biggest seller in the range. At 40%, it is the colour of straw and has a more delicate nose than the 12-year old, with notes of peach, apricot and, rhubarb and custard sweets. There was also a hint of chalk. The palate was very light, with an apple, toasted grain and butter flavour. The finish was drying at first, before moving into a grassy bitterness and a final dash of apple sauce. It won the Scotch blend of the year in both 2011 and 2012 in Jim Murray’s Whisky Bible and is another stellar example of an entry level blend (price-point wise) since it can be found for less than £20 in most places.

Finally, I sampled the Ballantine’s 17-year old. This is a couple of steps up from the other two, in relation to price, normally coming in at somewhere around the £45 mark. It has been in the collection since 1930 and is a wee bit stronger at 43%. The colour of this whisky was a light golden honeycomb and the nose was sweet at first, with notes of Quality Street strawberries, caramel and honey-roasted peanuts before adding a dash of spice and smoke. I was expecting the palate to be similarly sugary but it hinted instead of sugared lemons, oranges, honey, toffee and peppery spice. The finish was similar to the 12 in that the grassy flavour reappeared for me, but this also had a citrus and spice hint too.

As always with whisky write-ups, this is just my opinion about the Ballantine’s range. I was pleased to get the chance to try them out and remember that blends should not be forgotten despite the sea of single malts that equally please.

Round the world in 6 whiskies

January 2, 2013 in Uncategorized

As many whisky lovers may know, the growth of drams from places other than Scotland, the USA and Ireland is ever increasing.

What does this mean?

Well, for me, it equates to an even greater pool of potentially great drams to pick from – no bad thing. It also means that even if I’ve attended a few tastings with world whiskies, there are always new options that I come across.

The most recent of these events was put on by whisky writer Ian Buxton at The Whisky Exchange near London Bridge.

I brought along one of my newest converts to whisky – Miss Andrea – to help me out in tasting drams from as far afield as Taiwan along with a group of other whisky lovers, such as Billy Abbott (ie: @cowfish).

We started the night on the English Whisky Company’s Chapter 6 release. This 46% whisky was the first official release from its St George’s distillery in Norfolk, and came onto store shelves in 2010. It is a light-straw coloured dram, with notes of marzipan, lemon, vanilla, pink peppercorns, paint and straw on the nose. The palate was slightly bolder, with spring, floral flavours to start and a peppery vanilla burst midway through the sip. Notes of strawberries dipped in caramel also came through.

Our taste buds next headed more than 4,200 miles westwards to Bardstown, Kentucky and the Heaven Hill distillery to try some Pikesville Straight Rye Whiskey. Ian told us he enjoys this dram because of its value for money – coming in at around £22, it is a very cost-effective bottle. Now, I’m not a massive fan of rye – the bread or the drams made from it. But this was an intriguing whiskey regardless with loads of clove-like spice and a hint of sweet peach lingering in the background of the nose. The palate, meanwhile, was bursting with peppermint caramels. It was a refreshing dram but I think I would prefer it as a base of a cocktail, rather than just drinking it straight.

Ian Buxton takes us through the world whiskies.

For dram number three, we headed back east across the Atlantic to Ireland to sample some Writers Tears whiskey, which is made from a vatting of single pot still and malt whiskies and comes from the Midleton distillery near Cork. The nose was warming and welcoming – it reminded me of two (nearly unexplainable) things: firstly, the smell of warm haystacks and a cat’s furr (cat owners who’ve ever picked up their furry friend when they’ve been sat in the sunshine might understand what I mean); and, secondly, there was a dash of caramel apple pops, which are a North American sweet. The palate was sticky and sweet, with loads of apple flavours and a heavy oiliness that coated the mouth. It finished on honey and hay notes. It was mine and Miss Andrea’s second favourite of the night.

Miss Andrea enjoys a dram.

Whisky number four took us over St George’s Channel into Wales to the Penderyn distillery near the Brecon Beacons. The Penderyn Madeira was most definitely the most divisive whisky of the night, with one outspoken observer declaring it the worst whisky he’d ever tried. I was not so angered by it. In fact, I didn’t mind it – it just wasn’t quite up there with the others. The nose was full of bananas and pineapple and the palate was sweet and spicy, with notes of peach and cinnamon and a bitter finish.

The most anticipated whisky of the night for me was Kavalan Single Malt, part of the collection from the first Taiwanese distillery, Kavalan, which produces nine million bottles a year. The distillery has been in operation since 2005 and has won numerous awards in its short lifetime. It is also a hugely popular visitor destination, garnering upwards of (a whopping) 7,000 visitors a day. The Single Malt is a gentle, well-balanced dram with notes of apples, pineapple and vanilla, while the palate reminded me of more of an Irish style, with light notes of lemons, honey and almonds. It was very pleasant but not outstanding. I’m keen to try the others in the range as I’ve heard they’re more exciting.

The final dram of the night was the powerhouse cask strength Ardbeg Uigeadail, a popular malt for good reason. The nose bursts with brine, and sweeter BBQ prawns, plus a wafting fresh smoky air scent. The palate has a great chewiness, with a real caramel sweetness that shines through the smoke. It’s joined by brown sugar and lemon pie notes, before being topped off with a grassy finish. Both Miss Andrea and I swooned over this dram – a definite favourite of the night.

And although we loved the last dram from more traditional Scotland, it was a fantastic look into a set of whiskies from across the globe. It excites me every time I am able to try such a range from other countries and seems to be yet another bit of proof that whisky is taking over the world!

 

Drams of 2012: Part 1

December 27, 2012 in Uncategorized

 

It frightens me to write this post. It really does. How – I wonder – is 2012 almost nearing its end?

The year has gone so quickly and the drams have kept on coming. As such, I thought I’d look back at this year of whisky greatness to choose my favourite drams of the past 12 months.

While most lists put together the top 5 or top 10, I’m going somewhere in between and choosing my top 7 drams.

But the question is, do you agree?

I want to know if you’ve tried these drams (or if you’re keen to) and – if the former – what you thought of them. Did you taste others that beat these ones? Get in touch on Twitter (@themisswhisky), in the Comment section below or on email at info@misswhisky.com – and let me know what drams really rocked your 2012.

Without further adieu, here are my first four favourite drams (in order of when this year I sampled them):

Dram #1. – Midleton Barry Crockett Legacy: 46%:

I managed the chance to try this whiskey twice this year – once at an Irish tasting with The Whisky Exchange back in March, and the second time at a dinner (again with The Whisky Exchange) in September. It really stands out in my mind as a perfect all-rounder and a showcase as to why whisky (or, in this case, whiskey) doesn’t only have to come from Scotland to be dram good.

The first time I sampled it, I said the following:

This was an exceptionally interesting dram to me, especially because it was near the end of the tasting when I find my nose and tastebuds numbing slightly. Notes of citrus fruit, black pepper, lime, crunchy Granny Smith apples, melon and vanilla all managed to communicate themselves from my scent to my brain. The palate was slightly astringent, with notes of pear, apple and pineapple. There was a giant bite at the front of my palate, followed by a long lasting finish with lingering notes of mandarin oranges and brandy at the back of my tongue.”

And the second time I got: “Lemon cookies, almonds, Christmas trees and panettone on the nose and the mouth was all “mango, mango, mango”.

Neither review was exactly the same but, as always with drams, it depends what you’ve eaten and drunk before – all of which will have an effect. The point though? This is a fantastic whiskey and well worth venturing outside the Scottish borders to try.

Dram #2 – The Balvenie, Golden Cask Rum Finish, 14yo: 47.5%:

Continuing the theme of more tropical fruit influenced flavours was this dram I tried at Whisky Live London back in March.

Originally bottled only for travel retail, it came onto market in the UK for general purchase. I’ve tried it a couple of times this year, but this was my original review:

“Aroma: Sunshine in a bottle! If that’s possible. It was warm and inviting, slightly spicy with hints of crème brûlée.

Palate: Loads of tropical fruits flourished: pineapple, banana, mango. Add in flavours of vanilla ice cream and flambeed bananas soaked in caramel and honey and you have dessert in a bottle!”

Dram #3 - Bowmore small batch reserve: 40%:

I tried this dram back in May at (potentially) the perfect moment – when I was hellishly stressed and in need of something delicious to give me a quiet moment of calm.

And it was the ideal antidote to the grumpy feelings I was having – I went from compressed stress ball to smiling, Play-doh putty in moments – whether it’s a good sign that I can become this relaxed from a whisky is something I will debate wholeheartedly at a later date.

But back to the dram…

This whisky was matured in first- and second-fill ex-bourbon casks and was a distinct departure from Bowmore’s other, peatier and sometimes more sherried influences. And, at a mere £32.99 a bottle, it was a steal of a whisky for sure.

This was my review at the time: “The characteristic Bowmore peatiness was there but in an oh so gentle way. There were hints of fudge, vanilla and oak that one would expect from an ex-bourbon cask, but it wasn’t overpowering. It just said, “Hello, you’re feeling stressed aren’t you? Well, why don’t I use my relaxing flavours to eek away your blues!”

For those that like a heavier, sherried Bowmore (like the Darkest) this might seem a bit too gentle. It’s not yelling at you but just presenting itself for enjoyment. The nose is welcoming with grassy, soft sugary notes that would appeal to a beginner, but I think the palate is complex enough with its creamy smoke, hints of lemongrass and saltiness to encourage a longer-term single malt sipper to still enjoy it.

It’s the kind of whisky that, if I had a whole bottle, I’d probably sit down with friends new to whisky and spend the night drinking it all. It was just what I needed to take the edge off!”

Dram #4 – Balblair 1969:

As I wrote at the time, sometimes a dram actually makes time stand still. This was the case with the Balblair 1969 – and it still makes it (possibly) the top of my top drams of the year.

This is what I had to say after trying it at the Balblair Distillery back in July: “This subtle beauty is an absolute stunner. So much so, I actually managed to stop talking for a full 15 minutes. Anything that can make me do that has to be pretty powerful.

This whisky filled my nose with rich, creamy mangoes and papayas, sweet white almond bark (a North American chocolate concoction), apricots and a teeny hint of smoke.

On the palate, everything got even more intense. As I sat with this dram, I was transported to a dreamy, warm meadow in mid-summer. My mouth filled with toasted wheat, honey syrup sticks (another North American confection), the rich flavours that filter from a bakery onto a Parisian street (croissants, pain aux apricots) and the twang of orange bitters. It finished, for me, on a note of nori (edible seaweed) and the sweet hint of smoked salmon.

It was glorious. End of.”

And so ends part one of my “Drams of 2012″ – find out on Monday which other three make the list!

 

Too precious to touch: Glenlivet 70

September 25, 2012 in Uncategorized

I’m not a great fan of ‘collecting’ whiskies – of leaving them be, of putting them on a shelf, or hiding them in a dark space, unopened. Some people do this to one day make a profit out of those whiskies left unopened, some to preserve large whisky collections.  While the former is, no doubt, a shrewd business/investment decision, I’ve never been that ‘up’ on my financial sensibility – I went into journalism, not for the money, but for the love of it. And, call me crazy but I much prefer the idea of cracking open a bottle and sharing it amongst friends and family, telling stories and making memories, than leaving it to gather dust.

However, every once in a while something comes along that seems too precious to touch – at least without some forethought. This is the situation I find myself in now.

The other day I arrived home after a few days away to find a rather intriguing looking box waiting for me. Inside was an extraordinarily exciting parcel – a wee teeny sample of the Glenlivet 70 year old. That’s right – 70 year old!

Bottled by Gordon & MacPhail this whisky was put into a cask in 1940, just months after one of the most devastating wars in our history was declared. Times were ever so different then – who, in 1940, would have thought I’d be able to communicate my thoughts and words with people around the world instantly, when all anyone cared about was how long war might persist and what its outcome might be.

To think back, it’s amazing this whisky has even survived here in the UK. After all, the amount of whisky being made and bottled in the 1940s dropped dramatically, due to rationing of barley used in its creation and the shipment to the US of large quantities of stock to make up for the money being spent on US-made war supplies.

The last few bottles of the whisky are now being released as a part of the Generations Collection from Gordon & MacPhail. Based around the company’s long history of family ownership (the grandchildren of original partner, John Urquhart, are instrumental in the business today) the Generations collection was started with the release in 2010 of a 70 year old Mortlach, distilled in 1938. In early 2011, the first bottles of this cask strength (45.9%) Glenlivet 70 year old were released to market. This second release of the remaining 100 70cl, silver stoppered decanters are now being sold at Vancouver International Airport’s new World Duty Free with an estimated price tag of $35,888 (Canadian).


As for my sample? I can’t currently bring myself to open it. I know I will one day soon and I will write about it on here when I do. But, equally, I want to be in the right frame of mind when I finally bring myself to taste a few drops of 70 years of history. It astounds me that this liquid – thought about, nurtured, cared for and conceptualised – so long ago, could find its way to me here in 2012.

But that – as I’ve mentioned before – is the beautiful thing about whisky. Its glorious history is one for us all to revel in – whether that’s over a dram that’s 12 years old or 40 years old. Always remember how amazing it is to have that whisky in your hand, and think about all it’s gone through to get to you. And then, most importantly, enjoy it!

Georgie Bell speaks to Miss Whisky

August 30, 2012 in Uncategorized, Whisky Women

 

 

New on Miss Whisky: I speak to the effervescent Georgie Bell, an ambassador with the Scotch Malt Whisky Society in Edinburgh about falling in love with single malt, surviving a diploma in distillation and serving a leading lady from Sex & the City in the bar.

Here here to read the full interview.