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Finding Speyside’s Spirit

May 10, 2013 in Events, Reviews

Spirit of Speyside images

It was when I was in the village hall in Aberlour that I really grasped the true meaning of the Spirit of Speyside Whisky Festival.

Inside the traditional wood-floored, stained glass windowed hall, dozens of people of all ages gathered together for a ceilidh. White haired ladies and dapper elderly gentleman sat chatting to tourists from Brazil, Canada and America, while a wedding party – dressed up in their finest – created a buzz of happiness felt by all.

At my table, James Walker – the humble and inviting head of the Walker Shortbread family – spoke to me about his memories coming to the hall as a child to watch films with his fellow local school children, while beside me festival organiser Mary Hemsworth spoke to everyone about the success of the many days of events.

As the ceilidh band struck up a tune and the newlyweds (who’d decided to celebrate their wedding evening with the local community) stood to take their first dance, I marveled in the wonderful welcoming nature, the simplicity and friendliness, the true heart of a community that one doesn’t find just anywhere anymore.

This is Scotland to me. And this is Speyside.

Stills MortlachWhile the whisky we love gets its fair dues, it is the people, the beating heartbeat of the Speyside region that make the wonderful product. And it is at the festival of the same name that I had a moment to slow down and see just what makes it such an important spot.

By the time I took a second’s breather to realise all of this, it was already the final night of the festival for me. I’d been in Speyside for four days to take in the yearly event which sees hundreds of distillery tours, parties, ceilidhs and concerts take place in the heart of Scotland’s whisky making world. I’d attended the opening dinner of the festival at The Glenlivet; witnessed the re-opening of Tamdhu distillery and seen well-known TV and newspaper commentator Olly Smith talk about its new 10-year old whisky release; visited The Macallan, Aberlour and Mortlach; danced to the Treacherous Orchestra at Glenfiddich; eaten my way through plates of smoked salmon; and, tried more drams than I can remember.

Glenlivet QuaichBut on that final night, I saw why people keep coming back year after year to the region – it’s because it has a heart and soul that far surpasses just the whisky but which is instilled in each bottle.

Over the coming weeks, I will write about the distilleries and drams I visited and tried, the positives and negatives and the various characters that keep Speyside alive.

On the opening night, I was awarded the honour of International Whisky Ambassador of the Year for the festival in tandem with fellow blogger Keith Savage. I was completely blown away with shock by this honour. I don’t remember entirely what I said in thanks that evening but I know it went down the lines of being so proud to be able to talk about such a wonderful area not just because of the whisky but because of the people, because the region embodies a similar spirit to that which I grew up in Canada with.

I hope when you open your next bottle of Speyside whisky or if you get the chance to head up to the region to meet the people behind the spirit, you too get the chance to witness the conviviality of it all. I may be a Canadian, living in England, but there will always be a little part of me that feels Scottish. The festival simply cemented that for me.

Nikka Whisky Pop-Up Bar Competition

May 8, 2013 in Competitions

Nikka Whisky Logo

Thank you to those who entered yesterday’s competition to win tickets to Smiths of Smithfield‘s first floor bar which will be hosting a Nikka whisky pop-up from the 23-31 May.

The competition has now closed and winners will be informed imminently.

If you would like to visit the whisky pop-up separately, it will run from 5-11pm each day and provide the opportunity to try 17 of the single malt and blended whiskies from the brand’s collection.

 

 

 

Whisky A, B, Cs: Caskstrength & Cutty Sark

April 20, 2013 in Reviews

The art of whisky blending, and trying the fruits of that labour, has been on my mind a lot this year. From Cutty Sark Prohibition, to Compass Box’s brands, learning from Diageo’s blending masters, and trying Ballatine’s, it’s been a year where blends have been on the brain.

The latest experience in this whisky segment came from an invite extended to me by the affable chaps at Caskstrength: Neil Ridley and Joel Harrison.

The two dapper gents, who are well known for their irreverent style and imprint on the whisky market, had released a new whisky as part of their independent bottling series, which is seeing them bottle a whisky for each letter of the alphabet.

In 2011, in honour of the 3rd birthday of Caskstrength.net, there was a bottling of Arran whisky, and in 2012, it was BenRiach. This year, they teamed up with Cutty Sark, which is celebrating its 90th birthday, having been released by London wine and spirits merchants Berry Bros & Rudd in March 1923. The result: their own blended whisky based on the attributes of the famous brand and bottled at 90 proof (51.4%).

They have put together a video of them revealing their latest whisky, which can be found here.

Circle Line? More like Cutty Line!

On the night of the reveal in person here in London, the two decided that – rather than doing a traditional whisky launch – they would take a group on a “tube crawl” to teach everyone about the brand’s development and their partnership.

Cutty Sark CaskStrength Launch

Joel Harrison, one of our captains

In a rather quirky twist, a group of us headed out on the “Cutty Line” where we learned about how much London’s tube stations have to do with whisky making (obviously that was a wee bit stretched in truth) from our two “captains” before heading to Casita cocktail bar, which is tucked away on a side street near Old Street tube.

There we gathered with Kirsteen Campbell, Cutty Sark’s master blender, who helped Neil and Joel put the blend together.

The inspiration behind doing a blend for the third release (outside of the brand happening to have a major anniversary and it starting with the third letter in the alphabet) was simple, Neil told us.

“We believe blending doesn’t get the recognition it should so we wanted to pay attention to and work with one of the most robust and quintessentially English blends,” he said.

The difficulty lay, said Kirsteen, in creating a blend in such small quantities (only 500 bottles have been released) and in working with the alcohol strength.

“The challenge was also to go higher in strength because it becomes more tricky on the palate – we had to tweak the recipe so it could be smooth at the higher strength,” she commented, adding the whisky has been made predominantly from a blend of The Glenrothes, North British grain whisky, The Macallan and Highland Park.

The result – like the other two bottlings – has been a success. In fact, I’ve been told by the team at Master Of Malt – who are distributing the release – that not many bottles are actually left. Given it’s priced at the very reasonable £34.95, it’s no wonder.

Cutty Sark Caskstrength Launch

Kirsteen Campbell, Neil Ridley and the man in the yellow hat - no monkey in sight though!

But what, you’re surely asking, does this more powerful Cutty Sark taste like?

Well, on the nose it is quite floral with a bit of a dusty, sherry note and a butter and caramel tinge. There’s a lot of alcohol bite to it at first, so it’s one to let stand in the glass for a few minutes and nose carefully. There is also a wee bit of lemony-citrus notes and a briney addition that hits the back of the nostrils. On the palate, the whisky is lovely and creamy, with a grassy hint that balances the flavour profile out. There’s a bit of caramel sweetness and a finish that reminds me of the smell of a tin of Quality Street. It’s a very pleasant dram and I have enjoyed sampling it thoroughly.

Now, it’s up to the boys to get brainstorming for whisky release number four…but what will “D” be?

For more information on the release and to buy a bottle head here.

 

Michelle Myron speaks to Miss Whisky

April 15, 2013 in Whisky Women

 ”Whisky, especially in the UK, has an image of old men – it’s sad but true. A more even gender balance would benefit the industry as a whole.” – Michelle Myron

 

 

Michelle Myron is a German speaking tour guide at the Glenfiddich distillery in Dufftown. She also runs her own business – Speyside Tours – a part of which takes visitors to the region on walks to see the distillery sites past and present, and teach them about whisky history.

In this Whisky Women interview, Michelle speaks about her earliest memories of whisky, the eeriness of visiting closed distillery sites and why the spirit inspires her.

 

What are your earliest memories of whisky?

My first involvement in the world of whisky was as a child, when I used to go to my uncle’s work. He was a warehouse man at a Dufftown distillery. We would go to his work at the weekend and even then I loved the smell that hits you when you open the warehouse door. The warehouses were a great to play hide & seek in; obviously in those days health & safety wasn’t such an issue!

What inspires you about this spirit?

The history of whisky, how it has evolved, the regional variations, the provenance and the integrity of the product: these are all factors which inspire me and maintain my obsession with whisky!

I also really enjoy it – it is a great pleasure for me to nose and taste whisky and the fact there are so many means that I am always finding new favourites, which change depending on the time of day or occasion.

What was one of the first whiskies you tried and loved?

I was influenced greatly by my dad’s tastes.  Speyside malts were predominant in the house so I believe Macallan was my first dram. Because of the extensive use of sherry casks it was quite sweet and a good one to start with. I still drink Macallan today and feel that it is a good example of an elegant Speyside whisky.

What is your favourite aspect of what you do at the distillery?

Converting the non-whisky drinkers! And introducing visitors to expressions other than the 12-year old is interesting too – it shows the difference time makes but also lets them experience the 15-year old which is the Solera expression.

In the in-depth specialised tours visitors get to see the famous Warehouse 8 and the home of the Glenfiddich Solera Vat – this is a special place for me and feels very magical since Glenfiddich was the first to pioneer the Solera system in whisky production.

Glenfiddich

You also run whisky tours in Speyside. What made you want to do this?

I started Speyside Tours because of an obvious demand. When speaking to visitors at Glenfiddich I realised they would fly into Edinburgh, drive up to Speyside, do Glenfiddich, Loch Ness, Skye and then go back to Edinburgh.  I would say nearly 70% of tourists follow this route, but there is much more to see and do, many attractions off the tourist trail.

Due to my love of whisky I started to offer the Dufftown Distillery walk, which takes you on a “Dramble” around the nine distillery sites of Dufftown, past and present.  We conduct nosing and tastings but also give insights into the history of whisky in Dufftown.  People learn about what life was like for the distillery workers, from the 40s through to the present day and the stories of how workers would get one up on the management, which people love to hear.

What do you enjoy most about doing the whisky walks?

I love meeting people from around the world who have an interest in whisky; I never fail to be impressed by the international interest in our whisky. Personally, I also like when we visit the mothballed Parkmore distillery – it is still so intact and has an eeriness to it, you half expect it to start up production or a warehouse man to come out and tell us to get out of the way. I like also the visit to The Balvenie, to see the maltings there and the smell of peat on a Scottish summer evening, to know this has been done like this for the last 120 years.

Do you think more women should or could work in the whisky industry?

I definitely think more women should enter the whisky industry and at all levels. Whisky, especially in the UK, has an image of old men – it’s sad but true. A more even gender balance would benefit the industry as a whole.

What is your favourite memory involving whisky drinking?

My most cherished memory of drinking whisky is the times doing so at home with family and friends at Hogmany. There are always lots of people in a confined space and a neighbour will come in with bagpipes – very stereotypically Scottish but true.  The noise is deafening in a confined space – more whisky is then required.  There’s lots of arguing over the best whisky but at the same time, we’re all there, enjoying our national drink!

Whisky Sense and Sensorium

April 12, 2013 in Events, Interviews

Singleton Sensorium sign

I close my eyes against the sharp, almost buzzing green light that bounces off of every wall in my line of sight. The sound of a lawnmower hums in the background while birds tweet at random intervals. The air smells of late April when the sun’s finding its first dashes of warmth and the countryside is aflutter with activity. I find it soothing, find it tapping into a time of year that was a favourite of my childhood. In my hand, a glass of whisky drifts its perfumes up to my senses. And what do I smell?

According to Oxford University’s Professor Charles Spence, the grassy notes of the whisky should be enhanced in that moment. You see, the room’s setting was all a part of a recent experiment in London called the Singleton Sensorium conducted between Professor Spence, the folks behind Condiment Junkie and The Singleton whisky to find out if different colours, smells and noises can affect how we perceive whisky. Visitors to the Sensorium were asked to rate how much they enjoyed the same whisky in three different rooms as part of a study the team are putting together to be published in September called: ‘Tasting notes: Assessing the effect of multi sensory atmosphere and ambiance on people’s perception of whisky’

Professor Charles Spence Condiment Junkie

Professor Charles Spence (middle) with the team from Condiment Junkie

Professor Spence specialises in the arena of the senses in his role as head of the Crossmodal Research Laboratory in Oxford University’s department of experimental psychology. He examines how various elements in our surroundings that affect the senses can be changed to create a different individual experience. In this case, how a room filled with green, beige or red light, and related sounds, sights or smells can influence what people draw from their whisky.

While others have researched this area, Professor Spence told me the experiments for this study done in the lab and at the Singleton Sensorium event pushed things forward a notch.

“People are playing with a smell or just the lighting in a winery, but no one is really putting all of those things together and that’s really our interest, the multi-sensory aspect, how the senses combine and how hopefully if you get elements telling you the same message in a congruent manner you might get a much bigger impact than if you would if you just change one element,” he explained when I spoke to him recently.

During my tour around the Sensorium I found I agreed with many of the expected results. In the green room, the whisky smelled almost clean and crisp rather than having The Singleton’s normal more chocolate and woody notes, while in the red room (which was filled with oozing red light, round bulbous jars filled with plump berries and round furniture all of which makes the brain think of sweetness) the grassiness of the whisky dissipated and the sweetness was enhanced – I rated grassy as ’4′ and sweetness as ’7′ in the red room on the ratings card each person was handed out.

In the initial study results – which took the ratings results from more than 400 visitors to the Sensorium – people’s experiences were said to have been enhanced by up to 20% towards the expected outcome in certain rooms.

Singleton Sensorium

Red lights in the red room meant to enhance the taste of sweetness.

My only quandary was around the fact that I found if I stayed in each room long enough, my senses managed to become accustomed to their surroundings and the whisky began to taste more ‘normal’ so I questioned whether this would work on a long-term basis. I also was confused by the fact that some people had ice in their whisky and others didn’t, which I – and others – was sure would alter people’s experience of the whisky.

Professor Spence said that he would have liked to have more precision practices within the space but recognised that as it was also a consumer event it couldn’t be so tightly controlled.

“I would have given people a new glass in each room so you really didn’t know what was in the glass and I would have had it that people went to rooms in a different order each day but we recognised we needed to preserve the story-telling order,” he explained.

Singleton Sensorium

Clocks in the wood room meant to bring out the woody notes in the whisky.

To combat any flaws which could skew the final results, Professor Spence and his team are also doing extensive tests in the controlled lab at Oxford University to compare with those at the Sensorium. Thus far, he said he is seeing similar feedback from each environment.

And while the drink may have been subdued with ice, he added the main focus is on seeing how much people’s reactions changed towards the whisky when going from one room to another.

Going forward, Professor Spence said he is keen to continue experiments of this nature with whisky.

“Whisky is complex like wine in terms of what’s going on in the nose and in the mouth texturally but it’s also a consistent product and I’m thinking now there are a whole world of experiments you could do on spirits modeled around what has been done with wines. There are so many customs and beliefs around whisky that are ripe for investigation and there has been virtually nothing published on it so everything’s wide open,” he concluded.

Want to try a pared down version of the Singleton Sensorium at home? Then grab a glass of the Singleton and head here: http://condimentjunkie.co.uk/singleton.html

 

 

 

 

Bushmills Irish Whiskey Tasting

April 10, 2013 in Reviews

In honour of St Patrick’s Day this year, the folks at The Whisky Exchange teamed up to put on an event with Bushmills Distillery.

I managed to get along to the company’s Irish whiskey tasting last year, which featured Midleton’s brands, so was keen to attend when the invite came through for this one, especially as I do not have a vast amount of experience with Bushmills.

Down for the tasting from the Northern Irish distiller was brand home supervisor Robert Galbraith, who took the very full room through a whopping seven whiskeys – which are already a part of the brand line-up – along with a sample of the new make and two others straight from the cask.

Unfortunately, due to a bit of a delay on the tube I missed the first 15 minutes of the event. But, I managed to catch up enough to sample all of the drams and learn a bit about the company’s history.

As background, Bushmills distillery has been located in County Antrim in Northern Ireland since the late 18th century. The bottle carries the year ’1608′ on it, however, because King James I actually granted a licence to distill in the area in that year. The Old Bushmills distillery was up and running in 1784 and stayed in the same spot until a major fire in 1885 destroyed it entirely. It was rebuilt and continued running with only a few breaks through mergers and acquisitions, Prohibition and the two world wars. It is now owned by Diageo.

According to Robert, the distillery has had a huge impact on the town where all 1,300 residents are related through “blood, marriage or drink.” In his family, his grandfather was a mashman.

The evening’s line-up was full-on and included the new make spirit, Bushmills Original and Black Bush blended whiskey, Bushmills 10, Bushmills 1608, the Distillery Reserve (available only at the distillery), the 16-year old Three Wood and the 21-year old.

As I’d arrived late, I didn’t get to try the new make right at the start, but went back to it mid-way through the tasting. I was worried that it would seem very harsh compared to the whiskeys I’d sampled by that point so was surprised to discover that on the nose it had wonderful notes of pears and fresh flowers and was surprisingly gentle. On the palate, there was a sweet freshness to it, with honey and malt notes. It was well-rounded and I noted overhearing many people speaking about their enjoyment of it on the night.

Of the array of whiskeys, my top two favourites were the Bushmills 1608 and the 16 year old three wood.

The Bushmills 1608 was first released in honour of the 400th anniversary of when whiskey was permitted to be distilled in the area. Made from single malt, grain and a special crystal malt (which comes from barley that has been toasted and where the sugars are crystallised in the malt before kilning to create an end sweeter wash) it is comprised of a mix of first fill bourbon and ex-sherry cask matured whiskey ranging from eight to 10 years of age. With an ABV of 46% this non-chill filtered expression won the world’s best no-age statement Irish whiskey at the World Whiskies awards in 2008 and 2012.

On the nose it was an easy-going dram, with notes of pears, cedar boxes and stoned fruit (possibly plums?) that together reminded me of “Christmas”. There was a wee, teeny hint of sulphur too for me. On the palate, it was very sweet but had a great, rich depth that hinted at cinnamon sticks, brown sugar, chewy wood and oranges, plus a little something vegetal at the back. The finish was of candied fruits and it was a whiskey I really enjoyed, showing that, yet again, blends can be complex and intriguing.

My next favourite was the Bushmills 16 year old Three Wood. This is made by taking batches of whiskeys that have matured for 16 years in ex-bourbon casks and batches that have matured for 16 years in ex-sherry casks and marrying them together in port casks where they further age for six to nine months.

Coming in at 46% ABV the whiskey was a beautiful rich amber in colour. On the nose there was a gummy note of black wine gums, and a hint of wood and blackcurrent jam. It was almost sticky in its character – all very attractive. The palate was wonderfully balanced, with a bit of that blackcurrent sweetness emerging at first, before reduced red wine and finally tropical fruits came through.

With such a long history, Bushmills is one to explore if you’ve not yet had the chance. I have also reviewed the Black Bush whiskey on this post, so feel free to check that out for more thoughts on the brand.

And thank you to The Whisky Exchange for arranging yet another fabulous whiskey tasting celebrating all things Irish!

 

 

 

International Women’s Day: Stories of Inspiring Women

April 8, 2013 in Interviews

 

Last month in honour of International Women’s Day I ran interviews with people who are involved in the whisky industry, which discussed the women that inspire them the most in their lives. There were so many amazing contributions that I had to run the piece over two parts, which can be read here and here.

As a part of it, I asked for your nominations of the woman or women that most inspire you as part of a competition which the folks at Bowmore whisky were kind enough to support.

I have been privileged enough to have some wonderful stories of inspiration shared with me and I feel very honoured. I can now reveal the top three stories that have really clutched at my heart for various reasons.

I hope you enjoy reading the following stories and are inspired yourself to think about those women who make a difference in your life.

*        *        *   

Erik Lindseth with his wife Marianne

 Erik Lindseth on his wife Marianne:

“The woman I think deserves this the most is my wife. The reason is not a typical love story where she is my love and pride, but something that shows that our love will withstand anything.

Even a bomb.

Because that’s the story.

July 22nd, 2011: we were going to meet at a mall in Oslo to buy a wedding present for a wedding the next day. I was standing outside my car when the bomb went off in a building in the street where I was standing. It was the start of the worst act of terrorism in Norway after WW2.

I was badly wounded, and after my physical wounds were healed, I still had to battle a muscle condition. For almost a year I couldn’t sleep for more than 2-3 hours at a time without getting cramps that forced me awake. Because of little sleep and pain, I was always tired and angry. I couldn’t even lift a milk bottle without getting a sharp pain in my arm.

In all this my wife was always there. She helped me in every possible way. When I woke up in the middle of the night, she helped me relax and get control even if she had to work the next day. She works from home, and when I was sick, she had to work harder than before and help me at the same time.

She is always positive and helped me train my muscles back to normal again. She helped me through a hard time.

In October 2012 I was finally strong enough to start working again and living a normal life. Even if I don’t know how I can prove it, I will always be certain that without her, I would have had the condition a lot longer.

She is the reason I get up every day. All I want to do is to repay the woman of life – the one who saved my life, my best friend and wife, the woman that is my inspiration.”

Justin and Jennifer Stiefel

 Justin Stiefel on his wife Jennifer:

My nomination is for Jennifer Stiefel: president, majority owner and co-founder of craft gin, vodka and whiskey distillery, Heritage Distilling Company (HDC) in Gig Harbor, Washington.

Under Jennifer’s leadership HDC recently was awarded several medals for its unaged rye whiskey, tripled distilled vodka and soft green gin, including a Double Gold Best Gin at an international tasting review in New York.

Jennifer’s commitment to community led her to create a programme that has contributed over $10,000 in donated HDC goods and services to local and regional non-profit groups. In addition, she put together the separate “Bottling For a Cause” (B-Cause)™ programme that allows local non-profits to raise funds in a fun and new way during private interactive bottling sessions.

Jennifer’s love of whiskey and desire to share its virtues with other women as consumers also led to the establishment of the Cask Club™ and My Batch™ programmes at HDC, which allow customers – women  in particular – to help distill or custom age their own whiskey, gin or vodka. They have resulted in many new whiskey lovers and converts among the female purchasing demographic. She also looked at the word “Whiskey” and saw “his” in the middle. Not being one to accept the status quo, she conceived of and launched HDC’s “Wherskey” line of products, replacing the “his” in “whiskey” with “her”. The response from female consumers has been overwhelmingly positive.

Jennifer was recently featured on Seattle’s KING 5 Evening Magazine programme because of her leadership at the distillery and the fact that she is a trend-setter in the region for women and whiskey. She balances all of this while also helping to raise three children aged 9, 6 and 4.

She is truly an amazing person, leader and business woman who is helping to educate and broaden women’s appreciation of whiskey.

With a sly smile on her face Jennifer tells female visitors to the distillery, “whiskey ain’t just for grandpa anymore.” And from the amount of whiskey leaving the tasting room under the arms of women, they seem to be agreeing with her.

Susannah and Lynne

Susannah (left) and her aunt Lynne

 Susannah Skiver Barton on her aunt Lynne:

My aunt, Lynne, has inspired me my entire life.

When I was a child, she was the ‘fun aunt’: young, single, always living somewhere exotic like Los Angeles or Paris, working in television and dating foreign men. She introduced me to the Foo Fighters, painted my fingernails, made up silly stories, and sang me songs in a Munchkin voice. Best of all, she always listened to me when no one else did, treating me with respect, as a peer.

Now that I’m an adult, she continues to inspire me.

She holds a PhD in Film, speaks fluent French, has successfully navigated a decades-long career, and now has a wonderful family of her own. She has never been afraid to reinvent herself professionally or in terms of personal style – something I benefit from as I inherit her cast-off clothing and forge my own look! Despite the long hours of work and rush of her demanding role, she still finds the time to have dinner with me, listen to my problems, and offer sage advice.

I look to my aunt Lynne as a model for what life can be: full of hard work coupled with fun, surrounded by exciting passions and loving people.

*        *        *   

Thank you again to everyone who entered and to Bowmore whisky which provided a bottle of Small Batch Reserve and two half bottles of Bowmore 12 year old for the winners. For more information on Bowmore and its whisky, visit: www.bowmore.com/

Warehouse Whisky: For One Night Only

April 5, 2013 in Events

If someone had told me when I was a kid that one day I would be sitting in a warehouse in London on a hay bale drinking a whisky cocktail, I’d have looked at them with an angled head, squinted my brow and then told them they were silly. Hell, if someone had said that to me three years ago I’d have done the same thing but with more of an arched eyebrow to note my disbelief.

But, then, such is life. And that situation is exactly where I found myself recently for the kick off of the 2013 Monkey Shoulder For One Night Only events.

Malt Jockey Monkey Shoulder cocktailsIt was, perhaps, an unfortunate occurrence that the night in question saw freezing winds that managed to bite through every inch of clothing, leave noses red (and not from too much drink) and make the warehouse-goers keep all their layers on. At the end of March, one doesn’t expect this even in chilly England. But this is no ordinary year, weather wise.

And so, arriving at the warehouse I greeted the proffered purple and black rugby top (to keep everyone in the ‘jockey’ theme of the night) with outstretched, goosebumpy arms and glad grin. No amount of whisky could have warmed me through on that nippy eve.

Though my partner and I showed up early, the warehouse was already teeming with life from the besuited post-work crowd through to trendy Shoreditch folks who likely lived a stones-throw from the warehouse and who were probably on their way to another warehouse afterwards.

A large plastic horse greeted our entrance, while to our right piles of hay bales turned the scene to barn-chic. On a raised platform, two bars distributed the three cocktails of the eve (the Malt Jockey, the Ginger Brewskie and the Old Fashioned), while in between them sat a gloriously retro scalextrics horse racing track. At the back, the wafts of warmth from the Street Kitchen airstream kept customers nearby, absorbing the heat and appetising smells of pulled pork goodness.

As with other Monkey Shoulder events (check out these pieces on other FONO events here and here) the atmosphere was a mix of fun and randomness with a dash of ‘not taking life too seriously’. As always, it showed how whisky can be imbibed in a setting less than formal with a definite lack of tartan.

Malt JockeyAnd, freezing limbs aside, I enjoyed its revelry thoroughly. The Malt Jockey cocktail stood out for its richness, while the pulled pork burger from Street Kitchen was so glorious in its gooeyness and toppings that I shut out all the surrounding noise and joy while I immersed myself in its flavours.

In the end, the team behind Monkey Shoulder did what they do best: showed how to have fun with whisky. And it seemed that all attendees were happy with that fact. I look forward to seeing what the rest of the year has in store.

 

Have you been to a Monkey Shoulder For One Night Only event? Let Miss Whisky know what you thought of it in the comment section below!

For more information on Monkey Shoulder For One Night Only events, including how to get tickets, visit: www.monkeyshoulder.com/foronenightonly

Discovering Dublin & Jameson Whiskey: Part 2

March 29, 2013 in Events, Reviews

This follows on from Part 1 of my coverage from Dublin, which can be found here.

The next morning – post heavy breakfast of course – I discovered Dublin was in full swing with the spirit of St Patrick.

And once the fog had cleared from my brain, I realised one thing – while I’d tried and enjoyed Jameson in many a cocktail the night before, I’d still not really experienced it on its own.

Luckily, we had a whiskey tasting booked in with distiller Liam Donegan that afternoon.

Arriving at the Old Jameson Distillery, Lukasz, Graeme, Alex and I were all very impressed with the way it had been turned into a visitor centre and shocked at how busy and buzzy it was as hoards streamed in to experience a bit of the iconic Irish whiskey brand.

Upstairs in the tasting room, we met Liam, who has been with the company for 17 years. He started out as a research chemist and is now a distiller and quality operations manager in the production team. We were to try out the Jameson Original, Select Reserve, Gold Reserve, and Rarest Vintage Reserve.

Liam started out by explaining the background of the Jameson process. The company uses a mix of malted and unmalted barley in its malt production. The malted barley grist gets mixed with hot water and heated to 60 degrees to create a wet grist, while the unmalted is soaked in cool water and then smashed to release the sugars for the wash.

The spirit is triple distilled in 75 litre pot stills and 95% of it is aged in American oak ex-bourbon barrels, while around 5% goes into European oak ex-sherry casks and port pipes. The company is also experimenting with Madeira and Marsala wine casks, but Liam could not confirm when those casks might be used in bottlings.

Liam explaining about whiskey & the Jameson Vintage bottle.

The company also distills grain whiskey on a column still to go into its brands and once a year does a special sweeter grain run to make a spirit that is intensely perfumed. Interestingly, the company also has a barley mashbill it puts through a column still from time to time.

There are currently 940,000 barrels in storage and to keep up with demand the company has been building two new storage warehouses every year for the past three years.

Our tasting started with the Jameson Original, which was fragrant, slightly nutty with oak and citrus notes on the nose and a cooked apple and woody taste on the palate. Not my favourite of the four but a good introduction to the brand.

Next up was the Select Reserve, which is made from whiskeys ranging in age from eight to 19 years of age. It’s non-chill filtered and sits at 40% ABV. It is richer, more rounded with a slight perfume note on the nose again, topped up by cinnamon spice, butter and honeycomb scents. On the palate, there’s a bit of toffee, candy floss, strawberry Mentos and a nice nuttiness. Liam said this was like the cool older brother to Jameson Original, the guy with a few tattoos and a record collection who you want to hang out with. It was very palatable and one of my favourite of the day.

Midleton Distillery

The third one we tried was the Gold Reserve, which is made from a combination of virgin oak, first fill and European oak cask matured whiskey. Also non-chill filtered, it is normally made up of whiskey at least 14 years in age. On the nose, there was vanilla, baked oranges, vanilla pods and hazelnut skins. The palate had hints of spice, like cardamom and curry leaves, and a note of lavender right at the end, with a floral and chewy sweet finish. It was very pleasant but I personally preferred the Select Reserve.

Finally, we got to the granddaddy of whiskey: the Rarest Vintage Reserve 2007. Aged in American oak and sherry casks before being finished in port pipes, this whiskey was phenomenal. On the nose there was the scent of warm red grapes, a slight but attractive dustiness, a wood shop and sunshine. Yes, that’s right, sunshine. Okay, I sound like I’m going mad but this had a beautiful warmth that could only be described in my head as sunshine. Don’t worry – Lucasz and Graeme looked at me oddly too. On the palate, it was headily rich, with grape skins, blackcurrant cough drops and sticky fresh berries all bursting forth. My favourite by far.

Of course, the latter one is far out of my price range at £245 so, value for money, I’d definitely opt for the Select Reserve which is a steal, in my opinion, at £35 or so.

I was, in the end, impressed with what Jameson has on offer. While the Original is pleasant, I can’t imagine I’d drink it neat very often. It does, however, work very well mixed with Jameson, ginger ale and lime, which I discovered that night at Jameson Live.

L Mulligan Grocer whiskey and cheeseFirst though, we had a quick stop off to the fantastic L. Mulligan Grocer (in fact, a restaurant/pub rather than a grocers) for a whiskey and cheese pairing and lunch.

Now, I’ll admit here I often spend a lot of time in restaurants grumbling about something – not to sound pernickety but I write restaurant reviews fairly frequently and this has made me notice every bit of my dining experience.

But this place stood the test – spot-on service, an incredible selection of beers and whiskey, and warming and delicious food, including the best Scotch egg I’ve ever tried. Definitely stop by if you’re in Dublin – I’d be surprised if you were anything less than impressed.

After our highly filling lunch and a quick cat nap, it was off for Jameson Live, where various bands were to perform on a live broadcast in honour of St Patrick’s Day.

Upon arrival, it was clear Jameson had taken over – branding was everywhere from wristbands to decor and signage. Music was wafting out the doors along with the scent of whiskey. And in through those doors walked innumerable people in their twenties, lured by the promise of quality music from headliners Bombay Bicycle Club.

What was key to all of this, for me, was the fact that Jameson had integrated itself seamlessly into a brand space where they were directly affecting young consumers’ decisions. That evening, over quite a few more Jameson, ginger and lime cocktails (which, I may add, are really rather refreshing, though maybe more appreciated on a hot summer’s day rather than a chilly March eve) I watched hundreds of young consumers buy whiskey cocktails. Whether that will turn into repeat custom, is difficult to measure, but I was thrilled to see bottles flying off the shelves of the bars that night.

Now, don’t get me wrong – I’m not all in it for ‘the man’ and focusing on brand presence. But I am very much in favour of figuring out how whisky (or, whiskey) can be appealing to a younger audience. As mentioned in Part 1, within the Scotch industry I see Monkey Shoulder and Auchentoshan doing this well. It is clear, though, that Jameson are really ahead of the game. As Lucasz said: “You wouldn’t see this many people rocking out with a single malt brand.”

This is true. And whether you, dear reader, believe that these lines should be blurred, that whisky should make itself more accessible to a wider, younger audience or not, is of course up to you.

But I, for one, was glad to witness it. If people want to get into drinking whiskey by starting with Jameson cocktails, I say all the better for it.

I spend much of my time telling people about how great whisky is in order to ‘convert’ them to thinking of it instead of a vodka or rum when they head to the bar. And I’m glad to see Jameson trying to do the same thing.

Thank you very much to Jayne & Liam at Jameson and Alex at Richmond Towers for the invite and to Lukasz and Graeme from EdinburghWhisky for being savage fellow-travelers!

Discovering Dublin & Jameson Whiskey: Part 1

March 28, 2013 in Events, Reviews

The other day I was putting clean glasses in my cupboard and noticed a Jameson rocks glass at the very back. How it got there, I have no recollection. Likely pilfered from a pub by myself or friends, it must have been sat there for ages without going noticed.

This is, for me, how Jameson whiskey itself has been until recently. It’s one of those ubiquitous brands that is so massive it’s ever-present on store shelves and in advertising, but it’s not one that I have personally connected with.

Back in December, I wrote about how that can sometimes happen with other major global whisky brands, such as Glenfiddich – gargantuan in reach but one I’d forgotten to come back to as I searched for the rarer, stranger, more hidden-away drams.

So when I was recently offered the chance to head to Dublin with the brand to learn more about its history, releases and cultural placement in Ireland for Jameson Live, I agreed to get on board and fill in a gap in my whisky knowledge.

What I discovered – and which the Edinburgh Whisky Blog chaps also speak about succinctly in their trip review here – was that Jameson has managed to do what other whisky brands are only just looking into: connect with a younger audience and make whisky (or whiskey) very cool. The only ones I’ve seen trying to do that from the Scotch world are Monkey Shoulder and Auchentoshan.

Jameson Live concert

Jameson Live concert in Dublin

Now, I know what some of you may think: I was on a press trip and, therefore, may have only seen the ‘chosen’ points of view. There is that, I agree, but it was hard to deny as I watched hundreds of twenty-somethings rock out on St Patrick’s day with Jameson cocktails to think the brand wasn’t doing this well. Whether that’s a good thing or not, I leave up to you to decide.

But, getting back to the review itself, the weekend was a whirlwind of events and tastings, many of which are a slight blur. Again, my fellow-travelers Lukasz and Graeme deserve a mention here for their awesome ability to live-blog it all. As such, I shall not discuss everything, otherwise we’ll be here for ages.

Old Jameson distillery

But, it’s always good to start with a little bit of background. If you didn’t know already, Jameson is not actually distilled in Dublin. The capital city is home, instead, to the Old Jameson Distillery which was built in the late 18th century by founder John Jameson. It is now a stunning, wood beamed, stone-walled, interactive visitor centre and by far the most modern I’ve ever seen; given the queues for tours were seemingly never-ending it’s obviously one that many people are keen to take in, even if they won’t get the chance to walk around a working distillery.

Jameson is, in fact, distilled now at Midleton Distillery near Cork, about two and a half hours south west of Dublin. It is owned by Irish Distillers (owners of the single pot still brands from Midleton like Yellow Spot and RedBreast) which is itself a subsidiary of Pernod-Ricard.

We started the weekend off by heading to a workshop with David A Smith, a glass artist from Torquay who creates incredible gilded artwork on glass and mirrors using things like 20k gold and silver nitrate. He designed this year’s Limited Edition Jameson bottling, which he showed us the original drawings for here.

The artist, who has recently collaborated with musician John Mayer to design his new album cover, is one of a handful left in the world who can do this tricky Victorian style of artwork. The finalised version of the drawing, above, went on to be duplicated and printed (in a screen-printing style) onto the St Patrick’s Day Jameson bottling, shown at the start of this piece. It is available globally (bar the US) and in travel retail. David also designed a mirror for Jameson, and showed us how he applies gold leaf and colours to a mirrored surface, shown below.

That evening, we headed out to Damson Diner, where the head bartender made us a gorgeous whiskey sour made with Jameson that had been infused with ginger and lime for three months – it was spot on and showed a great way to use the company’s mainstay blend to make a sharp, refreshing cocktail with loads of depth. Afterwards, on a tour of some of Dublin’s hottest bars, I sampled some of my favourite Midleton drams yet again (Yellow Spot and Green Spot) and refreshed with a few Jameson cocktails, before realising that it was time to call it a night as the sun was soon planning its ascent.

In part 2, I get the chance to sample Jameson’s various offerings neat in a tasting and see how the brand has aligned itself with a new generation of whiskey lovers.