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Warehouse Whisky: For One Night Only

April 5, 2013 in Events

If someone had told me when I was a kid that one day I would be sitting in a warehouse in London on a hay bale drinking a whisky cocktail, I’d have looked at them with an angled head, squinted my brow and then told them they were silly. Hell, if someone had said that to me three years ago I’d have done the same thing but with more of an arched eyebrow to note my disbelief.

But, then, such is life. And that situation is exactly where I found myself recently for the kick off of the 2013 Monkey Shoulder For One Night Only events.

Malt Jockey Monkey Shoulder cocktailsIt was, perhaps, an unfortunate occurrence that the night in question saw freezing winds that managed to bite through every inch of clothing, leave noses red (and not from too much drink) and make the warehouse-goers keep all their layers on. At the end of March, one doesn’t expect this even in chilly England. But this is no ordinary year, weather wise.

And so, arriving at the warehouse I greeted the proffered purple and black rugby top (to keep everyone in the ‘jockey’ theme of the night) with outstretched, goosebumpy arms and glad grin. No amount of whisky could have warmed me through on that nippy eve.

Though my partner and I showed up early, the warehouse was already teeming with life from the besuited post-work crowd through to trendy Shoreditch folks who likely lived a stones-throw from the warehouse and who were probably on their way to another warehouse afterwards.

A large plastic horse greeted our entrance, while to our right piles of hay bales turned the scene to barn-chic. On a raised platform, two bars distributed the three cocktails of the eve (the Malt Jockey, the Ginger Brewskie and the Old Fashioned), while in between them sat a gloriously retro scalextrics horse racing track. At the back, the wafts of warmth from the Street Kitchen airstream kept customers nearby, absorbing the heat and appetising smells of pulled pork goodness.

As with other Monkey Shoulder events (check out these pieces on other FONO events here and here) the atmosphere was a mix of fun and randomness with a dash of ‘not taking life too seriously’. As always, it showed how whisky can be imbibed in a setting less than formal with a definite lack of tartan.

Malt JockeyAnd, freezing limbs aside, I enjoyed its revelry thoroughly. The Malt Jockey cocktail stood out for its richness, while the pulled pork burger from Street Kitchen was so glorious in its gooeyness and toppings that I shut out all the surrounding noise and joy while I immersed myself in its flavours.

In the end, the team behind Monkey Shoulder did what they do best: showed how to have fun with whisky. And it seemed that all attendees were happy with that fact. I look forward to seeing what the rest of the year has in store.

 

Have you been to a Monkey Shoulder For One Night Only event? Let Miss Whisky know what you thought of it in the comment section below!

For more information on Monkey Shoulder For One Night Only events, including how to get tickets, visit: www.monkeyshoulder.com/foronenightonly

Discovering Dublin & Jameson Whiskey: Part 2

March 29, 2013 in Events, Reviews

This follows on from Part 1 of my coverage from Dublin, which can be found here.

The next morning – post heavy breakfast of course – I discovered Dublin was in full swing with the spirit of St Patrick.

And once the fog had cleared from my brain, I realised one thing – while I’d tried and enjoyed Jameson in many a cocktail the night before, I’d still not really experienced it on its own.

Luckily, we had a whiskey tasting booked in with distiller Liam Donegan that afternoon.

Arriving at the Old Jameson Distillery, Lukasz, Graeme, Alex and I were all very impressed with the way it had been turned into a visitor centre and shocked at how busy and buzzy it was as hoards streamed in to experience a bit of the iconic Irish whiskey brand.

Upstairs in the tasting room, we met Liam, who has been with the company for 17 years. He started out as a research chemist and is now a distiller and quality operations manager in the production team. We were to try out the Jameson Original, Select Reserve, Gold Reserve, and Rarest Vintage Reserve.

Liam started out by explaining the background of the Jameson process. The company uses a mix of malted and unmalted barley in its malt production. The malted barley grist gets mixed with hot water and heated to 60 degrees to create a wet grist, while the unmalted is soaked in cool water and then smashed to release the sugars for the wash.

The spirit is triple distilled in 75 litre pot stills and 95% of it is aged in American oak ex-bourbon barrels, while around 5% goes into European oak ex-sherry casks and port pipes. The company is also experimenting with Madeira and Marsala wine casks, but Liam could not confirm when those casks might be used in bottlings.

Liam explaining about whiskey & the Jameson Vintage bottle.

The company also distills grain whiskey on a column still to go into its brands and once a year does a special sweeter grain run to make a spirit that is intensely perfumed. Interestingly, the company also has a barley mashbill it puts through a column still from time to time.

There are currently 940,000 barrels in storage and to keep up with demand the company has been building two new storage warehouses every year for the past three years.

Our tasting started with the Jameson Original, which was fragrant, slightly nutty with oak and citrus notes on the nose and a cooked apple and woody taste on the palate. Not my favourite of the four but a good introduction to the brand.

Next up was the Select Reserve, which is made from whiskeys ranging in age from eight to 19 years of age. It’s non-chill filtered and sits at 40% ABV. It is richer, more rounded with a slight perfume note on the nose again, topped up by cinnamon spice, butter and honeycomb scents. On the palate, there’s a bit of toffee, candy floss, strawberry Mentos and a nice nuttiness. Liam said this was like the cool older brother to Jameson Original, the guy with a few tattoos and a record collection who you want to hang out with. It was very palatable and one of my favourite of the day.

Midleton Distillery

The third one we tried was the Gold Reserve, which is made from a combination of virgin oak, first fill and European oak cask matured whiskey. Also non-chill filtered, it is normally made up of whiskey at least 14 years in age. On the nose, there was vanilla, baked oranges, vanilla pods and hazelnut skins. The palate had hints of spice, like cardamom and curry leaves, and a note of lavender right at the end, with a floral and chewy sweet finish. It was very pleasant but I personally preferred the Select Reserve.

Finally, we got to the granddaddy of whiskey: the Rarest Vintage Reserve 2007. Aged in American oak and sherry casks before being finished in port pipes, this whiskey was phenomenal. On the nose there was the scent of warm red grapes, a slight but attractive dustiness, a wood shop and sunshine. Yes, that’s right, sunshine. Okay, I sound like I’m going mad but this had a beautiful warmth that could only be described in my head as sunshine. Don’t worry – Lucasz and Graeme looked at me oddly too. On the palate, it was headily rich, with grape skins, blackcurrant cough drops and sticky fresh berries all bursting forth. My favourite by far.

Of course, the latter one is far out of my price range at £245 so, value for money, I’d definitely opt for the Select Reserve which is a steal, in my opinion, at £35 or so.

I was, in the end, impressed with what Jameson has on offer. While the Original is pleasant, I can’t imagine I’d drink it neat very often. It does, however, work very well mixed with Jameson, ginger ale and lime, which I discovered that night at Jameson Live.

L Mulligan Grocer whiskey and cheeseFirst though, we had a quick stop off to the fantastic L. Mulligan Grocer (in fact, a restaurant/pub rather than a grocers) for a whiskey and cheese pairing and lunch.

Now, I’ll admit here I often spend a lot of time in restaurants grumbling about something – not to sound pernickety but I write restaurant reviews fairly frequently and this has made me notice every bit of my dining experience.

But this place stood the test – spot-on service, an incredible selection of beers and whiskey, and warming and delicious food, including the best Scotch egg I’ve ever tried. Definitely stop by if you’re in Dublin – I’d be surprised if you were anything less than impressed.

After our highly filling lunch and a quick cat nap, it was off for Jameson Live, where various bands were to perform on a live broadcast in honour of St Patrick’s Day.

Upon arrival, it was clear Jameson had taken over – branding was everywhere from wristbands to decor and signage. Music was wafting out the doors along with the scent of whiskey. And in through those doors walked innumerable people in their twenties, lured by the promise of quality music from headliners Bombay Bicycle Club.

What was key to all of this, for me, was the fact that Jameson had integrated itself seamlessly into a brand space where they were directly affecting young consumers’ decisions. That evening, over quite a few more Jameson, ginger and lime cocktails (which, I may add, are really rather refreshing, though maybe more appreciated on a hot summer’s day rather than a chilly March eve) I watched hundreds of young consumers buy whiskey cocktails. Whether that will turn into repeat custom, is difficult to measure, but I was thrilled to see bottles flying off the shelves of the bars that night.

Now, don’t get me wrong – I’m not all in it for ‘the man’ and focusing on brand presence. But I am very much in favour of figuring out how whisky (or, whiskey) can be appealing to a younger audience. As mentioned in Part 1, within the Scotch industry I see Monkey Shoulder and Auchentoshan doing this well. It is clear, though, that Jameson are really ahead of the game. As Lucasz said: “You wouldn’t see this many people rocking out with a single malt brand.”

This is true. And whether you, dear reader, believe that these lines should be blurred, that whisky should make itself more accessible to a wider, younger audience or not, is of course up to you.

But I, for one, was glad to witness it. If people want to get into drinking whiskey by starting with Jameson cocktails, I say all the better for it.

I spend much of my time telling people about how great whisky is in order to ‘convert’ them to thinking of it instead of a vodka or rum when they head to the bar. And I’m glad to see Jameson trying to do the same thing.

Thank you very much to Jayne & Liam at Jameson and Alex at Richmond Towers for the invite and to Lukasz and Graeme from EdinburghWhisky for being savage fellow-travelers!

Discovering Dublin & Jameson Whiskey: Part 1

March 28, 2013 in Events, Reviews

The other day I was putting clean glasses in my cupboard and noticed a Jameson rocks glass at the very back. How it got there, I have no recollection. Likely pilfered from a pub by myself or friends, it must have been sat there for ages without going noticed.

This is, for me, how Jameson whiskey itself has been until recently. It’s one of those ubiquitous brands that is so massive it’s ever-present on store shelves and in advertising, but it’s not one that I have personally connected with.

Back in December, I wrote about how that can sometimes happen with other major global whisky brands, such as Glenfiddich – gargantuan in reach but one I’d forgotten to come back to as I searched for the rarer, stranger, more hidden-away drams.

So when I was recently offered the chance to head to Dublin with the brand to learn more about its history, releases and cultural placement in Ireland for Jameson Live, I agreed to get on board and fill in a gap in my whisky knowledge.

What I discovered – and which the Edinburgh Whisky Blog chaps also speak about succinctly in their trip review here – was that Jameson has managed to do what other whisky brands are only just looking into: connect with a younger audience and make whisky (or whiskey) very cool. The only ones I’ve seen trying to do that from the Scotch world are Monkey Shoulder and Auchentoshan.

Jameson Live concert

Jameson Live concert in Dublin

Now, I know what some of you may think: I was on a press trip and, therefore, may have only seen the ‘chosen’ points of view. There is that, I agree, but it was hard to deny as I watched hundreds of twenty-somethings rock out on St Patrick’s day with Jameson cocktails to think the brand wasn’t doing this well. Whether that’s a good thing or not, I leave up to you to decide.

But, getting back to the review itself, the weekend was a whirlwind of events and tastings, many of which are a slight blur. Again, my fellow-travelers Lukasz and Graeme deserve a mention here for their awesome ability to live-blog it all. As such, I shall not discuss everything, otherwise we’ll be here for ages.

Old Jameson distillery

But, it’s always good to start with a little bit of background. If you didn’t know already, Jameson is not actually distilled in Dublin. The capital city is home, instead, to the Old Jameson Distillery which was built in the late 18th century by founder John Jameson. It is now a stunning, wood beamed, stone-walled, interactive visitor centre and by far the most modern I’ve ever seen; given the queues for tours were seemingly never-ending it’s obviously one that many people are keen to take in, even if they won’t get the chance to walk around a working distillery.

Jameson is, in fact, distilled now at Midleton Distillery near Cork, about two and a half hours south west of Dublin. It is owned by Irish Distillers (owners of the single pot still brands from Midleton like Yellow Spot and RedBreast) which is itself a subsidiary of Pernod-Ricard.

We started the weekend off by heading to a workshop with David A Smith, a glass artist from Torquay who creates incredible gilded artwork on glass and mirrors using things like 20k gold and silver nitrate. He designed this year’s Limited Edition Jameson bottling, which he showed us the original drawings for here.

The artist, who has recently collaborated with musician John Mayer to design his new album cover, is one of a handful left in the world who can do this tricky Victorian style of artwork. The finalised version of the drawing, above, went on to be duplicated and printed (in a screen-printing style) onto the St Patrick’s Day Jameson bottling, shown at the start of this piece. It is available globally (bar the US) and in travel retail. David also designed a mirror for Jameson, and showed us how he applies gold leaf and colours to a mirrored surface, shown below.

That evening, we headed out to Damson Diner, where the head bartender made us a gorgeous whiskey sour made with Jameson that had been infused with ginger and lime for three months – it was spot on and showed a great way to use the company’s mainstay blend to make a sharp, refreshing cocktail with loads of depth. Afterwards, on a tour of some of Dublin’s hottest bars, I sampled some of my favourite Midleton drams yet again (Yellow Spot and Green Spot) and refreshed with a few Jameson cocktails, before realising that it was time to call it a night as the sun was soon planning its ascent.

In part 2, I get the chance to sample Jameson’s various offerings neat in a tasting and see how the brand has aligned itself with a new generation of whiskey lovers.

 

 

Japanese Spirit at Mizuwari

March 18, 2013 in Reviews

I love me a good drinking den. And, let’s be honest, London is pretty full of top-end joints to hunker down of an eve and do just that – drink. I have no doubt many other cities in this fine country have much to offer too, of course, but my experience is with the capital and, thus far, I can’t complain.

One of the newest whisky spots on the block is Mizuwari – a Japanese themed bar on Old Compton Street in the downstairs section of Izakaya restaurant, Bincho, that’s filled with cocktails and drams galore.

As a big fan of Japanese whisky, the news of its opening was thrilling to my ears. Unfortunately, many other people felt the same so on opening night the small space was so rammed that getting a good look at its interiors or experiencing it in full was not possible.

Cocktail at BinchoI have since had the chance to go back and can say that it is a place I will be adding to my “Soho bars of best repute” list.

The bar is what one might call intimate – petite round tables and shared benches with individual lamps that can be dimmed dot the dark-wood floored and mahogany walled room, while behind the bar are rows of Japanese whisky.

The place was developed in partnership with Suntory, so all of the cocktails on the list feature whiskies from the company’s brands (think: Hakushu, Hibiki and Yamazaki).

However, when it comes to single drams, the menu is much more extensive and includes more than a dozen options from the Nikka range, various Ichiro’s Malts and a jaw-dropping selection of Karuizawas, which given their rarity and the fact this is a central London bar, are really rather reasonably priced (from £8.50-£12).

Locked cage at BinchoWhat I like about the space is that it will hopefully appeal to a wide range of drinker – not just the seasoned whisky lover. I could easily imagine bringing my non-whisky drinking girlfriends and winning them over with the feisty Rissun cocktail (Yamazaki 12, plum liqueur and ginger) or the silky smooth Seimei (Hibiki 12, maraschino liqueur, absinthe and lemon zest).

If you want to get fully into the spirit of Japanese tradition, then you can also purchase a bottle of whisky (such as the Yamazaki 12) to store in a locked cage behind the bar, as is done in drinking dens in the east. Your name will be left on it and you can access it any time you’re in the area. Okay – it’s a bit of a mark-up from shop price (£88 instead of £43 for the Yamazaki 12) but if you’re going out frequently in the area, it makes a good investment compared to buying individual drams each time.

Now, I won’t pretend this place is cheap. It’s not. A cocktail will hit your wallet for around £10 minimum but as a special treat it is well worthwhile. And, if you come on a Monday, the fabulous restaurant upstairs features all of its skewers of charcoal grilled meat for £1 each, so you can make a night of it for a fairly reasonable price.

In short, I’m hoping this will help raise the profile once more for the wonderful drink that is Japanese whisky. If you’ve not had the chance to try many yet and are in London, this will surely be the new place to go.

Photos provided by the team behind Mizuwari.

For more details, visit: bincho.co.uk/whisky-joint

Chivas cocktail warmth for snowy days

January 22, 2013 in Events

With the freezing weather hitting the UK of late, it inevitably increases the desire that I and (I’d guess) many others have in enjoying an extra dram or two to stay warm.

But, as I’ve discovered lately through my tasting of more blended whiskies, this cold weather does not only have to mean it’s time to do some drammage to your single malt collection. For whisky can be had in many forms – and the form I discovered on a snowy day of late was in using this seductive drink to make delicious cocktails that helped to keep my blood stream moving fast enough to shut out the chills.

On the top floor of China Town’s new Opium Cocktail and Dim Sum Parlour (a fab little joint put together by bar superstar Dre Masso), I joined two of the super cool chaps (Niran from Yin & Yang and Anthony from Ape to Gentleman) for a bit of cocktail masterclassery. Leading the charge was Phil Huckle, UK brand ambassador for Chivas Regal and The Glenlivet.

Over a starter of dim sum, Phil explained a bit about the brand, which dates back to the 1800s. While the bottle has the date 1801 on it, this does not reflect when the company started blending but rather when a luxury grocery store was opened in Aberdeen, the owners of which would go on to make the Chivas Regal blends. Known as the “Harrods of the Highlands” the store was the place to get high-end tea, coffee and foodstuffs in the northern region. In 1841, the store first started supplying Queen Victoria’s Balmoral estate with fine foods for her visits north. The company began making its own blended whiskies in the 1850s. Strathisla distillery in Speyside – which I wrote about, here, after a visit there last year – provides much of the whisky for the blends and the company is now owned by Pernod-Ricard.

It was, according to Phil, around the same time that Chivas started making blends that the golden age of cocktails began – primarily in the US but also in Paris and London. The Chivas blends became popular for use in cocktail making, he told us, and that is an idea that holds through to today.

“I think Chivas is a lot more versatile when it comes to the blends. You can pretty much make any whisky cocktail from it,” he said.

As a Speyside blend, one can understand why – its more delicate flavours fuse with various ingredients in cocktails in an unassuming manner that neither overwhelms the palate nor disappears on it.

After stuffing ourselves on dim sum, we stood back and watched Phil at work as he made six different whisky cocktails from either Chivas 12 or 18.

There were three classics to start: a powerful Rob Roy made with Chivas 12, followed by a Morning Glory Fizz (a delicious hangover cure from the late 19th century, also made with the Chivas 12) and the Blood & Sand made with Chivas 18, which dates back to 1923. All were delectable, but my favourite was the final one. Made from a combination of whisky, fresh orange juice, sweet vermouth (in this case, Antica Formula) and cherry Heering, the Blood & Sand is just the right side of sweet while still be refreshing and powerful. Named after the film of the same title starring silent film heartthrob, Rudolph Valentino, this cocktail is sure to get you feeling fresh and feisty, even when the temperature drops below freezing.

These were followed by three modern cocktails – the Regal Roy, Highland Cosmo and Gallantry. My favourite? The Highland Cosmo. While I normally shy away from the cocktail made famous by Sex & the City, I was drawn to this version because the Chivas 18 made it much richer with loads of thick texture.

So, how can you make these drinks at home if you’re feeling a bit too cold for comfort?

The recipes are as follows:

Blood & Sand:

25ml Chivas 18
25ml fresh OJ
25ml sweet Vermouth
25ml Cherry Heering
Orange twist

Combine the ingredients in an ice filled cocktail shaker and shake well. Strain in cocktail glass and serve.

Highland Cosmo:

40ml Chivas 18
20ml Chambord
40ml Cranberry
15ml fresh lime juice
Dash orange bitters

Combine the ingredients in an ice-filled cocktail shaker and shake well. Strain into cocktail glass and serve.

An Emporium of Whisky Delights

December 17, 2012 in Uncategorized

Colin Dunn looking spooky as a monk.

It was a perfectly normal Monday night in Shoreditch. A small group of people gathered in a cosy back room and listened to monastic tunes while wisps of dry smoke wafted past our nostrils and Colin Dunn (Diageo brand ambassador) told dark tales of whisky history while dressed as a monk.

Like, I said, perfectly normal.

Or, not, if you aren’t used to strange antics of the cocktail bars that haunt this part of London.

This particular evening was arranged by the Worship Street Whistling Shop – a basement bar with gin-palace style and trendy-oddity based on a darkened, office-filled street near Old Street. It was a part of the bar’s new “Whisky Emporium” designed in partnership with Colin.

I was there as a part of a test group to see how the Emporium’s new whisky installation would work. It is the latest in a series of emporiums for the fantastic little bar – following on from a rum and cocktail one done previously. With me were whisky aficionados Karen and Matt from WhiskyForEveryone and Sunday Times drinks columnist and Imbibe editor, Alice Lascelles.

The Emporium is meant to give patrons a fully sensory experience to learn about the history of one particular spirit – in this case, whisky. The evening is divided into six parts, during which scents are pumped in to match the particular theme of the act, and drinks, food, music and video are added in to hit all of your brain’s intake buttons.

As it was a test night, there were more changes and interruptions than would normally be the case but, regardless, it was bizarre and fantastic. Besides, as Colin put it, “This evening is the acoustic version; we’ll be going electric in January.”

We started with Colin dressed spookily as a monk discussing the origins of whisky, and tried a whisky based punch that used ingredients that would have been around hundreds of years ago – such as mead and hay (that’s right, hay). The nutty, cream, apple and honey drink was paired delightfully with dried vegetable crisps.

In act two, to the background of some Miles Davis and John Lee Hooker jazz, Colin ran us through the history of blending. We were then asked to work together as a group to create our own blend. We were allowed to smell each but not know what whisky it was, instead having to rely on our senses to mix them together. Each whisky was given a name of a Scottish celebrity it reminded the team at Worship Street of. One of my favourites was, “Frankie Boyle: Well-oiled fishing net on fire.” We added some cherry-pie Lorraine Kelly and a bit of Billy Connolly spice, creating a fruity, sweet whisky with a bit of warm pie spices.

By act three, we were all really getting into things. So, when Colin came in as “Cooper Dunn” we listened with glee. My favourite cocktail of the night – a bonkers  twist on a blood and sand made from Cragganmore Portwood, grapefruit and pickle brine, that was part sour, part sweet and part briney salt – was served out of individual flasks and combined with the savory prosciutto and bread, to represent a cooper’s lunch. As we nibbled and drank, Cooper Dunn gave us a rundown of the influence of wood, while a subtle woodsmoke blew through the room to further enhance the impact.


Act four covered regions, with whisky jellies placed in teeny glasses and served on a whisky map, while act five looked at the importance of age and included a succulent oyster topped with a lavender foam and a Talisker 57 North-based cocktail. The final stage saw us through to the future – with a backdrop of images of a bustling, bright city at night and uplifting dance music. Here we were served the most innovative cocktail of the night – in the bottom of a tall glass, a coca-cola flavoured Berocca sat, ready to have a Caol Ila whisky and soda poured on top.

The whole night was slightly Alice in Wonderland – but I wouldn’t expect much less from the team that also runs Purl in Marylebone. While there were some niggles to be worked out (for instance, the need for stronger scents to be pumped through to up that sensory experience) it will inevitably be a sell-out event for the whisky-curious. And a worthwhile one at that. You may never see Monday night in the same way again…!

The Whisky Emporium will run nightly for three months, for groups of at least four at a cost £90 per person. For more information, visit: www.whistlingshop.co.uk

New Yawk, New Yaaaawk…For One Night Only…

August 23, 2012 in Uncategorized

The other night, for the first time in my life, I partook in what could only be considered drinking and driving.

Now, to be fair, I was driving a painted, yellow, cardboard cab. I also happened to be wearing it. But the number of times I bumped into willowy, bendy buildings, unaware of my extended rear end, reminded me I must never put this to practice on any real street. Not that I ever would, of course.

This rather strange scenario unfolded during the latest kooky offering from Monkey Shoulder. The blended whisky brand is big on the quirky and this year has hosted flaming cocktail lessons at Callooh Callay, created an indoor Easter egg hunt with cocktails in Soho (see picture, below), and is now putting together interactive events centered around whisky, called For One Night Only.


I pulled up (sans taxi at this point) a little later than planned, having been previously detained drinking Cointreau (I know – shock, horror – I drank something other than whisky!). Weirdly, at the previous event, a random unopened bottle of Balvenie (Monkey Shoulder’s big brother) appeared on the table beside me as if by magic, almost as if to remind me where I should be (*I’ll note here: the bartenders had no idea where it appeared from, why it was out of their stock, and why it found its way beside me*).

Inside an artist’s warehouse near Edgware Road the team from Anonymous Artists (who work with Monkey Shoulder) had created a “pop-up” New York city, complete with a mini Statue of Liberty, American style walk/don’t walk signs, grey buildings and the aforementioned wearable taxis. A strange sight indeed for any night of the week!

The evening included cocktail making and drinks like the Mamie Taylor, which Monkey Shoulder brand ambassador Dean Callan told me originated at the start of the 20th century in New York and was named after a singer of the time, becoming the cocktail to be seen drinking in chi-chi places like the Hamptons. Made with lime, whisky and ginger ale (or, in the case of the Monkey Shoulder event, with ginger beer) it’s a sharp, biting bit of fizz, perfect for a hot summer night. I had brought my friend Rhian – one of the many friends I’m doggedly trying to convert to whisky – and she approved, which said to me it’s a great cocktail for friends just getting to know the spirit.

While sipping on the drinks and attempting to not knock any buildings down with our oversized cabs, a large gorilla ran around the room, shaking buildings and beating his chest. It may have been set in New York, but the oddities that night could only have been taking place in London…

After a few drinks, I extracted myself from the cab (never easy in a skirt and heels but even trickier when you’re actually wearing it) and left the surreal Monkey Shoulder world behind. The tube journey home was far less exciting…

For One Night Only events continue with “Whisky Punch” on the 7 September. To learn about the shenanigans to be had and more about Monkey Shoulder, visit: www.monkeyshoulder.com/foronenightonly/

Cocktails in the afternoon

July 4, 2012 in Uncategorized

It’s always interesting to meet people one has only spoken to before in the Twittersphere – a space replete with whisky lovers.

And so it was last Friday when I had the chance to meet Jon of LivingRoom whisky – a blog started in Birmingham by two friends and neighbours.

It had happened by chance – I had recently run a competition on Miss Whisky with Suntory to win a bottle of Hibiki 17 and a cocktail lesson with the company’s UK brand ambassador and cocktail king Zoran Peric. Out of the many entries thrown (quite literally) into a hat, I pulled out Jon’s partner-in-blogging crime’s name – Mike. However, as Mike is a teacher, he was unable to make it down to London for the cocktail lesson, which he kindly passed on to Jon and his wife Sharon in his stead. How benevolent!

The event took place in the suave Bassoon Bar at the Corinthia Hotel – a plush 5* hotel hidden down Whitehall Place near Embankment. Upon arrival, I found Zoran prepping the bar, bottles of Suntory whisky lined up like soldiers awaiting orders.

I have written about my enjoyment of Suntory brands in the past (see: here). A go-to favourite is the gently peated Hakashu but I also enjoy the Yamazaki 12 as a standard bottle that will usually find itself in my cupboard. As I was there to be more of an observer, however, I was keen to see Jon and Sharon’s reaction to the drams.

As a bit of background, Japan exports a fair old schwak of whisky and if you’ve not tried them or not realised they’re rather tasty, I’d definitely recommend giving any of them a go. One of my most pleasing discoveries of last year was the Ichiro’s Malt Chichibu the First and I’ve yet to try a bad Japanese whisky.

But, much of the history starts with the Suntory group, which was founded by Shinjiro Torii who built Japan’s first distillery in the 1920s. While it wasn’t an easy start (the company almost failed a decade later) it rallied on release of its Kakubin blended whisky.  The company expanded when Torii’s son built Hakushu distillery (the world’s highest distillery) in 1973.

Soon after Jon and Sharon arrived, Zoran explained the history before launching into a tasting session, regaling us with tales of his trips to Japan. One of his favourite places, he said, is high up at the Hakashu Distillery, which sits in a forest.

“You can sit there and if you close your eyes and if you have a glass of Hakashu in your hands, everything makes sense,” he said.

Sounds enlightening indeed!

The tasting started out with the Yamazaki 12, which is a single malt whisky made from 70% American white oak barrels, 20% mizunara oak barrels and 10% Olorosso sherry barrels. It is the mizunara wood that gives it a distinctly Japanese touch – the wood comes from Japan’s northern island, Hokkaido, and adds deep  jammy fruit, citrus and sandlewood notes.

“It smells like walking into a temple,” explained Zoran of the casks.

This is a decadent sweet whisky, perfect (I find) as an after meal dessert replacement. Notes of banana and pear, toffee, butterscotch and cream flow through. It was Sharon’s favourite of the three we tried.

This was followed by the Hakushu 12 – a fresh, apple and pear whisky with teeny hints of smoke from the peated barley used in this brand – and the Hibiki 17. The latter is made of 30 types of grain and malt whiskies made at the Suntory distillery, and won the best Japanese blended whisky at this year’s Whisky Magazine, World Whisky Awards.

But, as the day was about cocktails, it was soon time to move on to allow Zoran to show off his skills with a shaker.

He demonstrated the ways to make two classic cocktails – the Rob Roy and an Old Fashioned – and another made up off the top of his head dependent on the preferences of the guests.

Jon’s favourite was the Old Fashioned made with Hibiki 17 – a labour intensive drink (if made correctly) that includes whisky, sugar, angostura bitters, orange peel and a drop of soda water. To make it correctly, according to Zoran, one must stir it for five to seven minutes to fully dissolve the sugar cube.

“These things take time to make. So it’s very Japanese,” he quipped.

Sharon, meanwhile, leaned towards the newly invented drink, which Zoran concocted from muddled fresh apricots, peach liqueur, orange bitters, Yamazaki 12 and a dash of ginger liqueur.

All in all, it was an interesting and fulfilling afternoon, a great pleasure to meet more people from the old Twittersphere and an even better excuse to have cocktails in the afternoon!

For more information about Suntory, its whiskies and history, visit: www.suntory.com/whisky

 

 

Win a bottle of Hibiki 17 & a cocktail lesson

May 11, 2012 in Uncategorized

Attention whisky cocktail lovers!! You listening?

Miss Whisky has a question for you…

Do you love trying new whisky cocktails?

Or…are you a newbie to whisky but keen to learn how to make some delicious drinks for you and your friends this summer?

Then you’re in the right place.

As the rain finally drifts out of our skies and the temperatures heat up, whisky highballs (an ever-more popular take on whisky and soda) will be the perfect way to quench dry throats.

One great way to make these delicious tipples is with Japanese single malt, like the Hakushu 12 year old, or blended whiskies, such as the Hibiki 17 and 21 year old, because of their smooth, floral honeyed flavours, which work brilliantly with a variety of cocktail mixers.

Last year, the 21 year old was named world’s best blended whisky for the second year in a row, while the Hibiki brand itself has held coveted titles for the past four years.

So, why is Miss Whisky telling you about this?

Because she’s going to be offering one lucky reader the chance to win a bottle of Hibiki 17 along with a one-hour personal cocktail class with top mixologist and brand ambassador Zoran Peric at the rather plush 5* Corinthia Hotel on the 29 June!

All you need to do to try and get your hands on this tasty prize is answer the following question:

In which year was Hibiki 21 year old named the world’s best blended whisky?

Send your answer (along with your age, name and address) on email to: misswhiskycomp@gmail.com by the 5 June.

The winner will be notified by e-mail.

And, if you want to learn any more about Japanese whisky, check out this piece on my experiences of it here!

Win a bottle of Hibiki 17 & a Cocktail Lesson!

May 3, 2012 in Uncategorized

Attention whisky cocktail lovers!! You listening?

Miss Whisky has a question for you…

Do you love trying new whisky cocktails?

Or…are you a newbie to whisky but keen to learn how to make some delicious drinks for you and your friends this summer?

Then you’re in the right place.

As the rain finally drifts out of our skies and the temperatures heat up, whisky highballs (an ever-more popular take on whisky and soda) will be the perfect way to quench dry throats.

One great way to make these delicious tipples is with Japanese single malt, like the Hakushu 12 year old, or blended whiskies, such as the Hibiki 17 and 21 year old, because of their smooth, floral honeyed flavours, which work brilliantly with a variety of cocktail mixers.

Last year, the 21 year old was named world’s best blended whisky for the second year in a row, while the Hibiki brand itself has held coveted titles for the past four years.

So, why is Miss Whisky telling you about this?

Because she’s going to be offering one lucky reader the chance to win a bottle of Hibiki 17 along with a one-hour personal cocktail class with top mixologist and brand ambassador Zoran Peric at the rather plush 5* Corinthia Hotel on the 29 June!

All you need to do to try and get your hands on this tasty prize is answer the following question:

In which year was Hibiki 21 year old named the world’s best blended whisky?

Send your answer (along with your age, name and address) on email to: misswhiskycomp@gmail.com by the 5 June.

The winner will be notified by e-mail.

And, if you want to learn any more about Japanese whisky, check out this piece on my experiences of it here!